Darryl Mori

Darryl Mori is a writer based in Los Angeles, specializing in the arts and the nonprofit sector. A Sansei and a native of Southern California, he has written for UCLA and the Japanese American National Museum, where he serves as a volunteer. He currently works in fundraising and external relations for Art Center College of Design.

Updated December 2012

war en

Echoes of History: Sound Artist Alan Nakagawa and the Hiroshima Legacy

“You could feel everyone in the park staring,” Alan Nakagawa says. “Why do they get to go in the Dome? It was like being a goldfish in a goldfish bowl. However, the moment we were inside, having only an hour of access, we went straight to work.”

The Los Angeles native recalls the day he and videographer Tom Clancey walked into the Atomic Bomb Dome in Hiroshima, Japan. The iconic structure, a UNESCO World Heritage Site, is the half-destroyed ruin of a building near the detonation point of the atomic bomb dropped on the city on August 6, 1945.

Nakagawa ...

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culture en

Visual Communications and 50 Years of Asian Pacific American Stories

“Growing up in the 1950s and early 1960s, we were subjected to stereotypical portraits or invisibility,” Eddie Wong recalls. “We knew we could make a difference by providing an alternative in the form of books, photo exhibits, and eventually films and video.”

Wong, together with colleagues Duane Kubo, Robert (Bob) Nakamura and Alan Ohashi, started Visual Communications (VC) in 1970—a pioneering nonprofit organization dedicated to supporting Asian American and Pacific Islander filmmakers and media artists.

In anticipation of the 50th anniversary of VC’s founding, VC collaborated with the Japanese American National Museum on the exhibition, At First Light ...

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culture en

Faces of Civil Rights, Then and Now: Paul Kitagaki Jr.'s Gambatte! Project

“The faces from the photographs staring up at me as I searched for my family in the National Archives have always haunted me,” Paul Kitagaki Jr., recalls. “I wanted to know the story behind the faces and discover how they survived and created a new life after the war.”

The noted photographer and videographer—a Sansei whose work has been honored with dozens of awards, including the Pulitzer Prize—had family members who had been unjustly incarcerated in American concentration camps during World War II.

“I learned of Executive Order 9066 in my 10th grade history class in 1970,” Kitagaki ...

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politics en

Commemorating a Justice Landmark: 30 Years of the Civil Liberties Act of 1988

It took just seconds for U.S. President Ronald Reagan to sign the document. Yet the journey to that moment spanned more than four decades.

The Civil Liberties Act of 1988 was the culmination of a multiyear movement to seek justice for Japanese Americans forced to live in wartime concentration camps solely because of their Japanese ancestry. After Reagan signed it into law, the Act granted reparations of $20,000 and a formal presidential apology to every surviving U.S. citizen or legal resident immigrant of Japanese ancestry incarcerated during World War II.

The act cited “racial prejudice, wartime hysteria ...

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identity en

Q&A with Artist Kip Fulbeck: The Continuing Legacy of The Hapa Project - Part 2

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DN: Now that you’re a parent, are the conversations about identity you may have had with your kids similar or different than those you may have had with your own parents? Or a little of both?

KF: Ha! That assumes I ever had a single conversation about identity with my parents! I remember after I did Banana Split (my first film of note) and showed my parents. We watched it together, and afterwards both of them made a point to tell me they had no idea I had struggled as a kid, or got beat up ...

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