Stuff contributed by DMo

Echoes of History: Sound Artist Alan Nakagawa and the Hiroshima Legacy
Darryl Mori
“You could feel everyone in the park staring,” Alan Nakagawa says. “Why do they get to go in the Dome? It was like being a goldfish in a goldfish bowl. However, the moment we were inside, having only an hour of access, we went straight to work.”

Echoes of History: Sound Artist Alan Nakagawa and the Hiroshima Legacy
Darryl Mori
“You could feel everyone in the park staring,” Alan Nakagawa says. “Why do they get to go in the Dome? It was like being a goldfish in a goldfish bowl. However, the moment we were inside, having only an hour of access, we went straight to work.”

Echoes of History: Sound Artist Alan Nakagawa and the Hiroshima Legacy
Darryl Mori
“You could feel everyone in the park staring,” Alan Nakagawa says. “Why do they get to go in the Dome? It was like being a goldfish in a goldfish bowl. However, the moment we were inside, having only an hour of access, we went straight to work.”

Echoes of History: Sound Artist Alan Nakagawa and the Hiroshima Legacy
Darryl Mori
“You could feel everyone in the park staring,” Alan Nakagawa says. “Why do they get to go in the Dome? It was like being a goldfish in a goldfish bowl. However, the moment we were inside, having only an hour of access, we went straight to work.”

Echoes of History: Sound Artist Alan Nakagawa and the Hiroshima Legacy
Darryl Mori
“You could feel everyone in the park staring,” Alan Nakagawa says. “Why do they get to go in the Dome? It was like being a goldfish in a goldfish bowl. However, the moment we were inside, having only an hour of access, we went straight to work.”

Echoes of History: Sound Artist Alan Nakagawa and the Hiroshima Legacy
Darryl Mori
“You could feel everyone in the park staring,” Alan Nakagawa says. “Why do they get to go in the Dome? It was like being a goldfish in a goldfish bowl. However, the moment we were inside, having only an hour of access, we went straight to work.”

Echoes of History: Sound Artist Alan Nakagawa and the Hiroshima Legacy
Darryl Mori
“You could feel everyone in the park staring,” Alan Nakagawa says. “Why do they get to go in the Dome? It was like being a goldfish in a goldfish bowl. However, the moment we were inside, having only an hour of access, we went straight to work.”

Echoes of History: Sound Artist Alan Nakagawa and the Hiroshima Legacy
Darryl Mori
“You could feel everyone in the park staring,” Alan Nakagawa says. “Why do they get to go in the Dome? It was like being a goldfish in a goldfish bowl. However, the moment we were inside, having only an hour of access, we went straight to work.”

Echoes of History: Sound Artist Alan Nakagawa and the Hiroshima Legacy
Darryl Mori
“You could feel everyone in the park staring,” Alan Nakagawa says. “Why do they get to go in the Dome? It was like being a goldfish in a goldfish bowl. However, the moment we were inside, having only an hour of access, we went straight to work.”

Echoes of History: Sound Artist Alan Nakagawa and the Hiroshima Legacy
Darryl Mori
“You could feel everyone in the park staring,” Alan Nakagawa says. “Why do they get to go in the Dome? It was like being a goldfish in a goldfish bowl. However, the moment we were inside, having only an hour of access, we went straight to work.”