Nancy Matsumoto

Growing up Sansei in my part of California’s San Gabriel Valley meant you didn’t have to work very hard to stay connected to your Nikkei roots—they were all around you. Every family that lived on our South San Gabriel street was Japanese American. We shared Japanese food, holidays, and a mania for gift giving. Our most exotic neighbors were from Okinawa, which as a child I took to be a country separate from Japan. Our local Issei “fish man” would come by weekly his truck to sell the neighborhood moms sashimi-grade tuna and fresh tofu, and our ...

On my last day in Minamisanriku, a small group of us from World in Tohoku signed up for a tour of the town’s downtown coastal area, which was decimated by the earthquake and tsunami of March 11, 2011.

Until then we had been immersed in brainstorming ways to grow the organizations of a group of dedicated and inspiring social entrepreneurs. They were so positive, and so alive that it was hard to viscerally grasp the scope of the natural disaster that had spawned some of their ventures. I wanted to learn more about the effects of the disaster that ...

I’ve just returned from an eye-opening odyssey to the Tohoku region of Japan with the non-profit social entrepreneurship organization World in Tohoku (WIT). Through WIT I was able to meet some of the people behind the dynamic social ventures formed in the wake of the March 2011 earthquake, tsunami, and nuclear disaster and learn how they are trying to improve social, environmental, and living conditions in the region.

Located in the northeastern part of Japan, Tohoku is a beautiful region filled with awe-inspiring bays and coastal coves, forests, deep-green mountains and fields, amazing seafood, and warm-hearted people. They’ll ...

Fifteen years after its 2001 release, the award-winning documentary film Toyo Miyatake: Infinite Shades of Gray will be screened at the Japanese American National Museum on May 14. A restrained, sensitive depiction of Miyatake as a major contributor to the vital Japanese American arts scene before World War II and the effect that the war had on his life and art, the film was called “eloquent and deeply moving” by The Los Angeles Times.

Director Robert Nakamura and producer Karen Ishizuka look back on the making of the film and share their thoughts about the famous photographer of Los Angeles ...

The 1942 incarceration of people of Japanese descent in America and Canada following the bombing of Pearl Harbor has been portrayed in scholarly histories, works of art, and the cinema. Yet comparisons of the Nikkei experiences in the two neighboring countries have been rare to non-existent. The upcoming exhibition at the Japanese American National Museum (JANM), Two Views: Photographs of Ansel Adams and Leonard Frank, will provide the context for just such a comparison.

Ansel Adams, the widely revered photographer of Yosemite and the West, visited and photographed the Manzanar prison camp and its residents in California four times in ...