Discover Nikkei

https://www.discovernikkei.org/en/journal/article/

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There is No End to The Way of Ikebana: Shofu Shōhara / Minako Hayashida
Drawn to the Ohara style by its wide spectrum of challengesAs part of the annual Nisei Week celebra…

Keiko Fukuda • Sept. 11, 2008

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The Ohara style that stands face to face with nature, the Ikenob? style that digs deep within - Mr. Jose Salcedo
Instant intrigue: My encounter with ikebanaOn every Friday morning during the summer of 2008 at the…

Keiko Fukuda • Sept. 5, 2008

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To Arrange Flowers (Ikeru) is to Live (Ikiru): Seifū Arimura
Avoiding fixation to my own teaching methods: Gathering interest by attending lecturesThe Iemoto of…

Keiko Fukuda • Aug. 28, 2008

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No art form is more creative than Sōgetsu: Haruko Takeichi
Discovering a new world by diving into materialsIt was 1980 when Haruko Takeichi, an interior desig…

Keiko Fukuda • July 18, 2008

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Listening for the Voices of the Flowers: Yokou Kitajima
Surprised by the American ideas not seen in JapanYokou Kitajima majored in geological engineering a…

Keiko Fukuda • July 3, 2008


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Leupp, Arizona: A Shared Historic Space for the Navajo Nation and Japanese Americans
On April 27, 1943, at 7:00 a.m., Harry Yoshio Ueno and five other Japanese American men arrived at …

Debra Redsteer • June 28, 2008

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Four Hirabayashi Cousins: A Question of Identity - Part 5 of 5
Part 4 >>Henry (Hank) Nobuo HirabayashiHank Nobuo Hirabayashi was born in Seattle on April 29…

James A. Hirabayashi • June 14, 2008


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