Discover Nikkei

https://www.discovernikkei.org/en/journal/2013/5/30/koby-medford-oregon/

Radio Station KOBY in Medford, Oregon

Daytime we could get only two radio stations—small town stations in Medford and Klamath Falls, Oregon that played incessantly.

the women dug the lakebed
and turned up seashells
long dormant in the sand
sorted and cleaned
painted and shellacked
they became ornamental things
trinkets and necklaces
made in captivity
   this is Radio Station KOBY in Medford, Oregon

we took pieces of 2 x 4
whittled and carved them
mine were unremarkable
but old Yoshimoto-san
always did women
a shelf lined with them
severe and woodbound
more Egyptian than Japanese
all frontal and nude
   this is Radio Station KOBY in Medford, Oregon

baloney, hot and frothy
on the metal platter
they said it was horse meat
we ate it anyway
even made sandwiches
with mustard and mayonnaise
we rolled Bull Durhams
watched the girls
did nothing mostly
while we smoked
our homemades
   this is Radio Station KOBY in Medford, Oregon

we liked to shower
in summer and winter
standing in wooden clogs
didn’t want to get athlete’s foot
turned on the hot and cold water
what a pleasure that was
but often they ran out of coals
then we couldn’t shower
we watched for smoke
from the furnace chimney
counted the days
we hadn’t showered
missed our showers
wanted to feel clean
   this is Radio Station KOBY in Medford, Oregon

what’s that old fart
doing in the shower room again?
copping looks at our genitals
okay creep
look all you want
there’s no charge
but don’t tell me
to shave my head
join the Hoshi-dan
become a fanatic Japanese
I’m here in protest
I am an American
want to be treated like one
I repeat
I am an American
naked as I am
so creep
get the hell out of my sight
   this is Radio Station KOBY in Medford, Oregon

he was killed for no reason
just driving a farm truck
past the gate
ordered to get out
he did
and he was shot
by a nervous white boy soldier
we went to his funeral
thousands did
the whole camp almost
only our respect for the dead
held back our anger
sitting or standing
we bent the Tules
growing in the firebreak
   this is Radio Station KOBY in Medford, Oregon

So, you were in Tule Lake, huh?
Yeah.
I was there too.
Oh?
But I relocated early…to Chicago.
That so?
What did you do?
I stayed back.
You stayed, huh?
Go ahead ask it.
What?
I know you want to.
Oh, we don’t have to talk about it.
It’s all right, go ahead.
Were you a…no-no boy?
That’s right.
Heard you guys had trouble.
Some.
How long were you there?
You mean in prison?
Well…you know what I mean.
Three years ten months.
That long, huh?
Yep.
   This is Radio Station KOBY in Medford, Oregon

So you goin’ to the Tule Lake reunion?
Nah.
You know about it, don’t you?
Yeah, I heard.
Why aren’t you goin’ then?
Not interested.
Guess I’ll go.
Oh sure.
There’ll be singin’ and dancin’.
Like ole times, huh?
That’s right, partyin’ and dancin’, remember?
Check out the women?
Well…forty, fifty years…
Never too late, huh?
That’s right. Hubba, hubba.
Jitterbug?
Might give it a whirl.
Well, don’t go breakin’ your balls.
Say, why don’t you come along?
Nah.
Hell, it’s been forty, fifty years, water under the bridge, huh?
No sucker, not for me.
   This is Radio Station KOBY in Medford, Oregon

 

*This poem was originally published in Swimming in the American, a Memoir and Selected Writings, San Mateo, CA, Asian American Curriculum Project, 2005.

* * *

* Hiroshi Kashiwagi will be speaking at “The Tule Lake Segregation Center: Its History and Significance” session at JANM’s National Conference, Speaking Up! Democracy, Justice, Dignity on July 4-7, 2013 in Seattle, Washington. For more information about the conference, including how to register, visit janm.org/conference2013.

Listen to this session >>

 

© 2005 Hiroshi Kashiwagi

California communication concentration camps Japanese Americans literature no-no boys Oregon poetry radio sociology telecommunication Tule Lake concentration camp United States World War II World War II camps
About this series

For the 25th anniversary of the Japanese American Redress legislation, the Japanese American National Museum presented its fourth national conference “Speaking Up! Democracy, Justice, Dignity” in Seattle, Washington from July 4 to 7, 2013.  This conference brought fresh insights, scholarly analysis, and community perspectives to bear on the issues of democracy, justice, and dignity. 

These articles stem from the conference and detail the Japanese American experiences from different perspectives.

Visit the conference website for program details >>

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About the Author

Born in Sacramento in 1922, writer and actor Hiroshi Kashiwagi spent his early years in Loomis, California. He was incarcerated at Tule Lake Segregation Center during World War II where he was defined as a “disloyal” for refusing to answer the loyalty questions. He renounced his U.S. citizenship and later worked with the Tule Lake Defense Committee and Wayne M. Collins to restore his citizenship. Since 1975 he has been speaking publicly of his incarceration experience. His poem “A Meeting at Tule Lake,” written while on a pilgrimage in April 1975, established him as a seminal voice among Nikkei concentration camp survivors.

He earned his BA in Oriental Languages from UCLA in 1952, followed by an MLS from UC Berkeley in 1966. Kashiwagi has worked as editor, translator, interpreter, and English language secretary at Buddhist Churches of America Headquarters; he has also served as reference librarian at San Francisco Public Library with a specialty in literature and languages. His publications include Swimming in the American: A Memoir and Selected Writings, winner of American Book Award, 2005; Shoe Box Plays; Ocean Beach: Poems; and Starting from Loomis and Other Stories. Notable acting credits include the play The Wash, produced at the Eureka Theatre in San Francisco, and the films Hito Hata: Raise the Banner (1980, dir. Robert Nakamura), Black Rain (1989, dir. Ridley Scott), Rabbit in the Moon (1999, dir. Emiko Omori), and Infinity and Chashu Ramen (2013, dir. Kerwin Berk).

He passed away in October 2019 at age 96.

Updated December 2019.

(Author photo by Ben Arikawa)

 

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