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Shinshi-san went into her second bedroom, the one filled with mulberry leaves, and checked on the status of her silkworms. Hundreds of white skinny caterpillars ...
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Jou Schnell looked out her window of her small four-room, wood-framed house on Gold Hill. Through the walnut trees, dappled light streamed onto the dew-covered ...
When Claremont-based fabric artist Sumi Foley was a child growing up in Osaka, Japan, she often spent the night at her grandmother’s house. Her ...
california colony fiction issei John Henry Schnell Jou Schnell naomi hirahara okei Wakamatsu Wakamatsu Colony arts culture fabrics femininity identity kimono
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