Discover Nikkei

https://www.discovernikkei.org/en/interviews/clips/1601/

Growing up Japanese in Hawaii

I think that’s the thing, we were so insulated in Hawaii, and just as a culture, I mean Asians comprise like 2/3rds of the population, so you never felt uncomfortable. In fact I think Hawaii is the only place where the minorities feel superior to the Caucasians. And I mean Superior with a capital S, maybe foolishly because if you measure it in terms of economics, just pure dollars, the Caucasians are probably still wealthier per capita. But in terms of feeling discriminated against, certainly not in Hawaii. And that’s why I always felt that when I met Japanese Americans on the mainland, they were still holding back, they still felt like a minority, whereas people from Hawaii act too brash and too cocky. But that’s the way your attitude is because you grow up in an Asian majority situation, which doesn’t exist anywhere else.

There are people on the mainland who say, oh we’re colorblind. Doesn’t matter what color or race you are, we look at people as being equal. And I go, you know that’s… we’re still way shorter of where it should be. I said you should recognize all colors. You should appreciate all colors. And in Hawaii we all joke about other people’s ethnicity. I mean full on jokes, hardcore jokes, and we all laugh about it. Until you get to the point where you can laugh about your ethnicity, I don’t think you’re there. People just take things too personally. And colorblind is not what you want, it’s color appreciative is what you want. That’s the thing about Hawaii.


Hawaii identity minorities race United States

Date: April 25, 2018

Location: California, US

Interviewer: John Esaki

Contributed by: Watase Media Arts Center, Japanese American National Museum

Interviewee Bio

Robert Fujioka was born in Honolulu, Hawaii in 1952. He attended the University of Michigan earning a BA degree and earned an MBA from the University of Hawai'i. He has been in the banking industry since 1974 and currently serves as Vice Chair, Japanese American National Museum Board of Trustees, a Trustee of the Clarence T.C. Ching Foundation, and the First Hawaiian Bank Foundation. (November 2018)

Jero  (Jerome Charles White Jr.)
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(Jerome Charles White Jr.),Jero

Trying to convey the meaning of the songs

(b. 1981) Enka Singer

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Kenny Endo
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Endo,Kenny

Internship on a Native American reservation in Arizona

(b.1952) Master drummer, artistic director of the Taiko Center of the Pacific

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Vince Ota
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Ota,Vince

Different tension between East Coast and Los Angeles

Japanese American Creative designer living in Japan

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Francis Y. Sogi
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Sogi,Francis Y.

The Kona Island community

(1923-2011) Lawyer, MIS veteran, founder of Francis and Sarah Sogi Foundation

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Seiichi Tanaka
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Tanaka,Seiichi

Differences between American and Japanese taiko

(b.1943) Shin-issei grand master of taiko; founded San Francisco Taiko Dojo in 1968.

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Francis Y. Sogi
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Sogi,Francis Y.

Meeting Japanese Americans from the mainland in MIS

(1923-2011) Lawyer, MIS veteran, founder of Francis and Sarah Sogi Foundation

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Jero  (Jerome Charles White Jr.)
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(Jerome Charles White Jr.),Jero

Nikkei Sansei

(b. 1981) Enka Singer

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Enson Inoue
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Inoue,Enson

Sudden acceptance in Japanese society

(b. 1967) Hawai`i-born professional fighter in Japan

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Enson Inoue
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Inoue,Enson

Ring name: "Yamato Damashi"

(b. 1967) Hawai`i-born professional fighter in Japan

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Jero  (Jerome Charles White Jr.)
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(Jerome Charles White Jr.),Jero

Getting on Kohaku (Japanese)

(b. 1981) Enka Singer

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Enson Inoue
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Inoue,Enson

Citizenship and identity

(b. 1967) Hawai`i-born professional fighter in Japan

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Kip Fulbeck
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Fulbeck,Kip

Early consciousness of identity

(b. 1965) filmmaker and artist

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William Hohri
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Hohri,William

Importance of self-representation in legislation

(1927-2010) Political Activist

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Kip Fulbeck
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Fulbeck,Kip

Finding parallels through art

(b. 1965) filmmaker and artist

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Kip Fulbeck
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Fulbeck,Kip

The Hapa Project

(b. 1965) filmmaker and artist

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