Interviews

1. Early consciousness of identity

2. Finding parallels through art

3. Refusing to use a Chinese name to identify as Asian American

4. The Hapa Project

5. Perceptions of uniqueness

6. Defusing myths through The Hapa Project

7. Difficulty responding to the question "What are you?"

8. Lessons learned from The Hapa Project

9. Differing responses by gender to the Hapa Project

10. Identity as a conscious ongoing process

11. Japanese Americans are more aware of their Hapa identity

12. Hapa as his primary identity

13. Discomfort at being labeled by others

14. International dimensions of hapa identity

15. Issues of identity outside of America

16. Imposing identity upon others

17. Changing fortunes of "identity art"

18. The right to say who you are

19. Defining the term "Hapa"

Fulbeck,Kip

(b. 1965) filmmaker and artist

Defusing myths through The Hapa Project

It allows people to, hopefully, defuse some myths that may be about them. I think there’s these myths of “hybrid vigor” and “All you Hapas, you’re all beautiful, y’all have it going on, and everything’s great, and look at all the models out there and all the actors, and oh, man, Keanu Reeves is so good-looking.” Hopefully it defuses some of that because there’s a whole gamut of ages and ethnicities and physical statures—people look really, really different.

At the same time, I think it allows people to construct their identity and tries to show how different—I wanted to celebrate difference in it, I wanted to reclaim these terms that haven’t been very positive—Ainoko, or “hybrid” or “half-breed” or even “Amerasian” which is technically correct. It’s still got this kind of ‘75-post-Vietnam thing because that’s where it’s connotated, that’s where the documentaries are. And even “Hapa” being originally a semi-derogatory term in Hawai`i. I wanted people to be able to say who they were in their own words and reclaim these things and have a place where we could actually celebrate our differences.

arts hapa identity racially mixed people

Date: May 3, 2006

Location: California, US

Interviewer: Jim Bower

Contributed by: Watase Media Arts Center, Japanese American National Museum.

Interviewee Bio

Kip Fulbeck was born in 1965 to a Chinese mother and English/Irish father. At age five, he was told by his full-blooded Chinese cousins that he was Hapa. He never gave much thought to the term as a child. As he grew older, faced with the dearth of knowledge relating to mixed-race identity (or worse, the negative connotations associated with it), he began thinking about ways to promote a more realistic and human portrayal of Hapa identity.

Fulbeck chose to explore this issue by creating the Hapa Project as a forum for Hapa to answer the question “What are you?” in their own words and be photographed in simple head-on portraits. He has now photographed over 1000 people from all ages and walks of life. The project is now a book, Part Asian, 100% Hapa (Chronicle Books, 2006) and an exhibition at the Japanese American National Museum from June 8 through October 29, 2006 titled kip fulbeck: part asian, 100% hapa.

Kip Fulbeck has been making films and art about Hapa identity since 1990. Known as the nation's leading artist on the identity, multiracial/ethnicity, and art and pop culture, he has spoken and exhibited his award-winning films, performance, and photography throughout the world. Fulbeck is currently Professor and Chair of Art at the University of California, Santa Barbara, where he is a three-time recipient of the Outstanding Faculty Member Award and also an affiliate faculty member in Asian American Studies and Film Studies. (May 3, 2006)

Read the Discover Nikkei article by Kip Fulbeck:
kip fulbeck: part asian, 100% hapa – an artist’s thoughts