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Dusty Weather at Topaz, Utah

Now, San Franciscans are used to very mild weather. You know, we never really have an extreme summer of any sort. Nor do we have any kind of winter. No snow and whatever. So when we went to camp, we were dressed in our San Francisco type clothes.

So it was winter when we, no, I’m sorry, it was summer when we arrived at Topaz. And it was alkaline dust blowing, and in the distance, we could see rows of black tar papered barracks as we approached. And I looked over to my grandfather who was dressed in a fedora and a black overcoat. He had on a three piece suit with a vest, all black. And by the time we got to camp, it was all white. It was just covered with alkaline dust.

And as the dust whipped up, we suddenly realized, oh my gosh. We have to get indoors. So we rushed to our assigned barrack, went in, and it was equally as bad inside as it was out. Because it was just tar paper and very little insulation. So we opened up the window to try to get some fresh air. And of course, all that dust came blowing in. So it was a miserable first encounter of camp.


concentration camps Topaz concentration camp United States Utah World War II World War II camps

Date: August 26, 2015

Location: California, US

Interviewer: John Esaki

Contributed by: Watase Media Arts Center, Japanese American National Museum

Interviewee Bio

Willie Ito was born July 17, 1934 in San Francisco, California to nisei parents. Seeing Snow White and the Seven Dwarves at the age of five inspired a lifelong love of animation. After his family's incarceration in Topaz, Utah during World War II, Willie returned to California to pursue an art career, attending the Walt Disney favorite Chouinard Art Institute in Los Angeles (which later became CalArts). Under the mentorship of legendary animator Iwao Takamoto, Willie's passion blossomed into a long career in the animation world through golden ages at Disney, Warner Brothers, and Hanna-Barbera. His credits span from The Lady and the Tramp and What's Opera Doc? to The Flinstones and the Yogi Bear Show. 

Willie continues drawing to this day, including illustration work on multiple children's books about the Japanese American World War II experience. You can also find him signing sketches and greeting fans at San Diego Comic-con. (September 2016)

Sakaye Shigekawa
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Shigekawa, Sakaye

“Everybody went in like sheep”

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Henry Suto
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Suto,Henry

The horror of Hiroshima after the atomic bombing (Japanese)

(1928 - 2008) Drafted into both the Japanese Imperial Army and the U.S. Army.

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Cedrick Shimo
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Shimo,Cedrick

Finding out Roosevelt wanted Japan to attack

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Parents expected to be taken by the FBI

(1919-2020) Member of the 1800th Engineering Battalion. Promoted Japan-U.S. trade while working for Honda's export division.

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Shimo,Cedrick

525 Quartermaster Corps

(1919-2020) Member of the 1800th Engineering Battalion. Promoted Japan-U.S. trade while working for Honda's export division.

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Shimo,Cedrick

Fort McClellan soldiers

(1919-2020) Member of the 1800th Engineering Battalion. Promoted Japan-U.S. trade while working for Honda's export division.

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Jimmy Murakami
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Murakami,Jimmy

Losing his sister in camp

(1933 – 2014) Japanese American animator

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William Hohri
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Hohri,William

Going to camp with the Terminal Island people

(1927-2010) Political Activist

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William Hohri
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Hohri,William

Outhouses and showers at camp

(1927-2010) Political Activist

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William Hohri
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Hohri,William

Interned at age fifteen, I saw camp as an adventure

(1927-2010) Political Activist

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Sumiko Kozawa
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Kozawa,Sumiko

Coming back to America from Japan before the war

(1916-2016) Florist

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Jimmy Murakami
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Murakami,Jimmy

Paintings reflecting on camp

(1933 – 2014) Japanese American animator

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Sumiko Kozawa
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Kozawa,Sumiko

Her experience of Japanese American Evacuation

(1916-2016) Florist

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Sumiko Kozawa
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Kozawa,Sumiko

Working in the camp hospital

(1916-2016) Florist

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Sumiko Kozawa
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Kozawa,Sumiko

Experiencing prejudice after the war

(1916-2016) Florist

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