Discover Nikkei

https://www.discovernikkei.org/en/interviews/clips/629/

Main differences between Japanese and Japanese Americans

I guess my underlying feeling there is that Japanese Americans have been taught and actively pursued not being Japanese. Whereas Japanese know they’re Japanese and are very comfortable being Japanese. They may not be comfortable being anything else.

And in that way, maybe being Japanese American is better because—or not better, but it’s different. There’s an advantage there because Japanese Americans, I believe, have been so active in trying to be other people that they’re not Japanese—trying to be white Americans or just assimilate into whatever culture that they’re in. And I guess that helped me out, that assimilation and that ability to kind of melt in. Maybe I can never take a principle role in a group or something, but I can blend in, and I can function very, very well.

So maybe that’s an advantage. I guess the difference there is that one’s trying not to be what they really are. The other one is just what they are. That’s it.


Finding Home (film) identity Japanese Americans

Date: September 12, 2003

Location: Tokyo, Japan

Interviewer: Art Nomura

Contributed by: Art Nomura, Finding Home.

Interviewee Bio

Vince Ota, (Sansei on his mother’s side, Yonsei on his father’s), was born in New Hampshire. From there, he and his family lived in several cities throughout the United States and also lived in London before finally settling in Gaithersburg, Maryland. Growing up in a small town in Maryland, Vince did not have much contact with other Asian Americans, except during the summers he spent in Los Angeles with relatives. He describes his upbringing as “pretty White American.” Vince eventually moved to southern California where he attended community college and the California Institute of the Arts. He worked as a creative designer and lived in Los Angeles for seven years until moving to Japan. Vince has lived in Japan since 1996 and plans to stay. At the time of the interview, he was working as a creative designer. (September 12, 2003)

Seiichi Tanaka
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Tanaka,Seiichi

Differences between American and Japanese taiko

(b.1943) Shin-issei grand master of taiko; founded San Francisco Taiko Dojo in 1968.

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Francis Y. Sogi
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Sogi,Francis Y.

Meeting Japanese Americans from the mainland in MIS

(1923-2011) Lawyer, MIS veteran, founder of Francis and Sarah Sogi Foundation

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Jero  (Jerome Charles White Jr.)
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(Jerome Charles White Jr.),Jero

Nikkei Sansei

(b. 1981) Enka Singer

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Enson Inoue
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Inoue,Enson

Sudden acceptance in Japanese society

(b. 1967) Hawai`i-born professional fighter in Japan

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Enson Inoue
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Inoue,Enson

Tracing my family crest

(b. 1967) Hawai`i-born professional fighter in Japan

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Enson Inoue
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Inoue,Enson

Ring name: "Yamato Damashi"

(b. 1967) Hawai`i-born professional fighter in Japan

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Jero  (Jerome Charles White Jr.)
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(Jerome Charles White Jr.),Jero

Getting on Kohaku (Japanese)

(b. 1981) Enka Singer

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Enson Inoue
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Inoue,Enson

Citizenship and identity

(b. 1967) Hawai`i-born professional fighter in Japan

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Kip Fulbeck
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Fulbeck,Kip

Early consciousness of identity

(b. 1965) filmmaker and artist

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William Hohri
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Hohri,William

Importance of self-representation in legislation

(1927-2010) Political Activist

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Kip Fulbeck
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Fulbeck,Kip

Finding parallels through art

(b. 1965) filmmaker and artist

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Kip Fulbeck
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Fulbeck,Kip

The Hapa Project

(b. 1965) filmmaker and artist

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Francis Y. Sogi
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Sogi,Francis Y.

Defining the term Nikkei

(1923-2011) Lawyer, MIS veteran, founder of Francis and Sarah Sogi Foundation

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Kip Fulbeck
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Fulbeck,Kip

Perceptions of uniqueness

(b. 1965) filmmaker and artist

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Kip Fulbeck
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Fulbeck,Kip

Identity as a conscious ongoing process

(b. 1965) filmmaker and artist

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