Discover Nikkei

https://www.discovernikkei.org/en/interviews/clips/262/

Clothes of plantation workers

For me, I think living in the hub of plantation life, right near the sugar mill, and every morning the train came to pick up the workers. I used to watch. Every morning, I got up with my father, at I think it was about 4am. And I would wait on the steps for him to use the outhouse because the outhouse was so far from the main house. And so I would wait for him and often watch the workers parading down the back dirt road with the bento can, you know, dangling. Like your grandfather, I think he was a plumber so he wore blue overalls. And so, people who worked in the plumbing shop and mill—maybe he was working at the mill. And I could watch him, every morning, he passed on the back road. He was such a kind, kind person and a good friend of my father. And so, all the workers, the carpenters wore white overalls.

And the women with… I don’t know how they do it, because they have to get up at 3am to make bento for their husband—you know, the double-decker bento—and cook breakfast for the husband, make miso soup and cook rice. So they had to get up really early and to put on all the layers of clothing. I don’t know how they got dressed so quickly. The clothing alone, with the jacket, cummerbund, skirt and the kyahan, the leggings, and the tesashi—all that would take time. And in spite of it, they were all ready to catch the train by 5:30. They have to be out in the dark.


families plantations

Date: February 19, 2004

Location: Hawai'i, US

Interviewer: Lisa Itagaki, Krissy Kim

Contributed by: Watase Media Arts Center, Japanese American National Museum.

Interviewee Bio

Barbara Kawakami was born in 1921 in Okkogamura, Kumamoto, Japan, in a feudal farmhouse that had been her family’s home for more than 350 years. She was raised on the Oahu Sugar Plantation in Oahu, Hawai’i, and worked as a dressmaker and homemaker before earning her high school diploma, Bachelor of Science in Textile & Clothing, and Master of Arts in Asian Studies—after the age of 50.

In her senior year, she began to research the clothing that immigrants wore on the plantation for a term paper. Finding there was relatively little academic research in this area, Barbara embarked on a project to document and collect original plantation clothing as well as the stories behind the ingenuity of the makers. Over the course of fifteen years, Barbara recorded more than 250 interviews with aging Issei women and men and their Nisei children. She captured their lives, the struggles of immigration, and conditions working and living on the plantation. Importantly, she documented the stories behind the ingenuity of these Issei women as they slowly adapted their traditions to suit the needs of plantation life. Her knowledge of the Japanese language, having grown up on the plantation, and her extensive background as a noted dressmaker, helped many Issei women feel comfortable about sharing the untold stories of their lives as picture brides. From her extensive research, she published the first book on the topic, Japanese Immigrant Clothing in Hawai‘i 1885-1941 (University of Hawai‘i Press, 1993).

A noted storyteller, author, and historian, Barbara continues to travel to Japan as well as throughout the United States to give lectures regarding plantation life and clothing. She is widely recognized as the foremost authority on Japanese immigrant clothing and has served as a consultant to Hawaii Public Television, Waipahu Cultural Garden Park, Bishop Museum, the Japanese American National Museum, and to the movie production of Picture Bride. (February 19, 2004)

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