Interviews
Playing 3 shows a night in Waikiki
Yeah, I just played, like tried to build a show, an exciting show of musical talent, you know, one after another. Try to cram an hour’s music time into like forty-five minutes or something.
We used to play like three shows a night, I think, at the Ilikai Hotel and they had a cover charge, $2.50 or something. And that place was lined up! That’s when things were good in the late 60’s. Locals came out to Waikiki, and they had a line all the way down to the street.
[Play music]
Date: August 2012
Location: Hawai`i, US
Interviewer: John Esaki
Contributed by: Watase Media Arts Center, Japanese American National Museum
Explore More Videos
Changing the taiko rhythm from Japanese to Afro-Cuban
Senshin Buddhist Temple minister and co-founder of Kinnara Taiko.
American influences on Japanese taiko
Senshin Buddhist Temple minister and co-founder of Kinnara Taiko.
Appreciating Kinnara Taiko's approach to taiko
Senshin Buddhist Temple minister and co-founder of Kinnara Taiko.
A Japanese American gardening dance
Senshin Buddhist Temple minister and co-founder of Kinnara Taiko.
Taiko is a reflection of where you live
Senshin Buddhist Temple minister and co-founder of Kinnara Taiko.
Playing traditional gagaku while creating an identity
Senshin Buddhist Temple minister and co-founder of Kinnara Taiko.
Taiko as self-expression
Co-founder and creative director of San Jose Taiko
Bringing Japanese American taiko to Japan
Co-founder and creative director of San Jose Taiko
A “principally-based” taiko group in England creating a global taiko community
Co-founder and creative director of San Jose Taiko
Introducing Taiko in Vancouver
(b.1951) Co-founder and managing director of San Jose Taiko.
The philosophy of playing Taiko
(b.1951) Co-founder and managing director of San Jose Taiko.
Defining a Taiko player
(b.1951) Co-founder and managing director of San Jose Taiko.
The Kona Island community
(1923-2011) Lawyer, MIS veteran, founder of Francis and Sarah Sogi Foundation