Discover Nikkei

https://www.discovernikkei.org/en/interviews/clips/1049/

I’m a Japanese, Peruvian… who am I? (Spanish)

(Spanish) Happily, the new generations don’t ask any anymore. With a healthy envy, I see the young Nikkei, I take off my hat, and I am very happy they are like this, that they have less problems, and that the theme of identity is less problematic. Why? Because the idea of only one identity doesn’t prevail anymore, it doesn’t give them problems. And then, in relation to their body, they can show it: they’re postmodern people that have included the values of the citizens, of democracy, civil rights, sexual rights, and reproduction rights. They’re healthier people. And look how interesting, that in the light of freedom, they choose to stay in the Nikkei community. It’s truth that there are many marriages out of this Nikkei community. Not all are endogamous marriages--there are exogamous marriages--but most of them are endogenous and they stay, At least the marriage index between Nikkei in Peru is the majority, and in relation to young people. I’m talking about people less than 30 years of age.


families Hawaii identity Japanese Americans Nikkei Peru United States

Date: February 26, 2008

Location: Lima, Peru

Interviewer: Harumi Nako

Contributed by: Asociación Peruano Japonesa (APJ)

Interviewee Bio

Doris Moromisato Miasato (1962) was born in Chambala, an agricultural zone of Lima, Peru. She graduated with a degree in Law and Political Science at the Universidad Nacional Mayor de San Marcos.

She has published the collection of poems Morada donde la luna perdió su palidez [Home were the moon lost its paleness] (1988), Chambala era un camino [Chambala was the path] (1999), Diario de la mujer es ponja [Diary of a Jap woman] (2004), Paisaje Terrestre [Terrestrial Path] (2007), as well as the story book Okinawa, un siglo en el Perú [Okinawa. A century in Peru] (2006). Her poems, stories, essays, and features have also been included in several anthologies and have been translated into several languages.

She is an ecologist, feminist and Buddhist. In 2006, the Okinawa Municipality nominated her as an Ambassador of Good Will. Nowadays, she is columnist for the Discover Nikkei Website, and since 2005 she has managed the organization of book fairs as Cultural Director of Cámara Peruana del Libro. (February 26, 2008)

Shinki,Venancio

Prejudice in Japanese school (Spanish)

(b. 1932-2016) Peruvian painter

Shinoda,Mike

Connecting to Japan

(b. 1977) Musician, Producer, Artist

Kawakami,Barbara

Surviving after father's death

An expert researcher and scholar on Japanese immigrant clothing.

Kawakami,Barbara

Washing for Filipino bachelors

An expert researcher and scholar on Japanese immigrant clothing.

Hirabayashi,PJ

Feeling empowered by taiko

Co-founder and creative director of San Jose Taiko

Hirabayashi,PJ

Sense of lineage between Sansei and Issei through Taiko

Co-founder and creative director of San Jose Taiko

Watanabe,Akira

To be a Nikkei is a confluence of cultures (Spanish)

(b. 1974) Director of Ryukyu Matsuri Daiko in Peru

Nakamura,Ann K.

Image of Americans

Sansei from Hawaii living in Japan. Teacher and businesswoman.

Okasaki,Robert (Bob) Kiyoshi

Japanese influence growing up

(b.1942) Japanese American ceramist, who has lived in Japan for over 30 years.

Kuroiwa,Margaret

About her father

Daughter of an Issei doctor.

Hirabayashi,PJ

Diverse membership in San Jose Taiko

Co-founder and creative director of San Jose Taiko

Okasaki,Robert (Bob) Kiyoshi

Looking at your country from the outside

(b.1942) Japanese American ceramist, who has lived in Japan for over 30 years.

Okasaki,Robert (Bob) Kiyoshi

Wife's family in Japan

(b.1942) Japanese American ceramist, who has lived in Japan for over 30 years.

Takeshita,Yukio

Lack of notion of citizenship in Japan

(b.1935) American born Japanese. Retired businessman.

Watanabe,Akira

Generational Change (Spanish)

(b. 1974) Director of Ryukyu Matsuri Daiko in Peru