Discover Nikkei

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The Asian American Literary Review


Feb. 7, 2010 - Aug. 12, 2012

The Asian American Literary Review is a space for writers who consider the designation “Asian American” a fruitful starting point for artistic vision and community. In showcasing the work of established and emerging writers, the journal aims to incubate dialogues and, just as importantly, open those dialogues to regional, national, and international audiences of all constituencies. It selects work that is, as Marianne Moore once put it, “an expression of our needs…[and] feeling, modified by the writer’s moral and technical insights.”

Published biannually, AALR features fiction, poetry, creative nonfiction, comic art, interviews, and book reviews. Discover Nikkei will feature selected stories from their issues.

Visit their website for more information and to subscribe to the publication: www.asianamericanliteraryreview.org



Stories from this series

Instructions to All Persons of Muslim Ancestry

Feb. 13, 2011 • Tyrone Nagai

WESTERN DEFENSE COMMAND AND FOURTH ARMY WARTIME CIVIL CONTROL ADMINISTRATION Presidio of San Francisco, California May 16, 2012 INSTRUCTIONS TO ALL PERSONS OF MUSLIM ANCESTRY Living in the Following Area: All that portion of the County of King, State of Washington, within that boundary beginning at a point about midway between the Cities of Tacoma and Seattle (east of Des Moines) at which U. S. Highway 99 intersects Washington State Highway No. 5A; thence easterly along said Highway No. 5A …

From Gently to Nagasaki - Part 3

Jan. 23, 2011 • Joy Kogawa

Read Part 2 >> The word “rape,” the word “murder,” the word “horror,” the word “atrocity,” the word “massacre,” none can adequately describe ‘that for which there is no word.’ Minnie Vautrin and Iris Chang were both, in the end, swallowed up in the quick sand. Iris Chang, a young woman of thirty-six committed suicide in 2004, driving away from home at 3:00 a.m. with a revolver, leaving a two-year-old son and a husband. I am told by a friend …

From Gently to Nagasaki - Part 2

Jan. 16, 2011 • Joy Kogawa

Read Part 1 >>Where, dear Goddess, on the arid landscape of the battle of words, does caring lurk? How, dear Cherry Tree, can we come to the place of caring? Is it in the flight of the wisp through curtains of stone words? It is, she tells me in the spaces between words and stones, in the spaces within sound and no sound. Caring comes to walk with us in the cracks of the day and the night, as we …

From Gently to Nagasaki - Part 1

Jan. 9, 2011 • Joy Kogawa

Marjorie Chan and I sat in the teal blue armchairs in my apartment nibbling rice crackers and sipping green tea. I’d seen her harrowing play, A Nanking Winter, a few months earlier. It addressed one of the roots of the ongoing animosity between China and Japan—the deep historical traumas of Nanking, 1937. When we began the conversation, we were simply two writers, one young, one old, one of Chinese ancestry, one of Japanese, and from our great distance of time …

The Orient Express - Part 2

May 16, 2010 • David Mura

>>> Read Part 1Why am I here? That’s a good question. I could say it’s the conference I’m attending, the one for H.R.s and diversity management, a few credits that might provide my stalled academic career with a few more options. Or I could say I needed to get out of Chi-town for a while, haven’t had a break like this from the family and missus for, well, I can’t really remember. I’m a good J.A. boy, someone had to …

The Orient Express - Part 1

May 9, 2010 • David Mura

It’s the middle of the desert, and I’m surrounded by a lush and verdant rainforest, a jungle unlike any on earth. Palm trees tower above me. At my feet a lagoon meanders through the orchids and bromeliads and birds of paradise. The crash of a waterfall, cascading with furious force. Mist drifts through like a swirling visible breeze, condensing on a rainbow of tropical flowers. Above me spires a hundred foot high Plexiglas dome, the type of pod our forebears …

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Authors in This Series

Jeffrey Angles is an Associate Professor of Japanese and translation studies whose translations of leading contemporary Japanese poets have earned the Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature, the PEN Club of America Translation Grant, and a National Endowment for the Arts Translation Grant. He is the author of Writing the Love of Boys: Origins of Bishōnen Culture in Modernist Japanese Literature, and his translations include Tada Chimako’s Forest of Eyes, Takahashi Mutsuo’s Intimate Worlds Enclosed, Hiromi Itō’s Killing Kanoko, and Arai Takako’s Soul Dance.


Updated May 2012 

 


Kandice Chuh is Associate Professor of English at the University of Maryland, where she is also affiliated with the American Studies Department and the Asian American Studies Program. The author of Imagine Otherwise: on Asian Americanist Critique , she is currently working on a book project titled “The Difference Aesthetics Makes.”

Updated February 2010


April Naoko Heck was born in Tokyo, Japan in 1971, and moved to the United States seven years later. Her poems have most recently appeared in Artful Dodge, Borderland: Texas Quarterly Review, Epiphany, and Shenandoah. She has received an AWP Intro Journals Award and held a writers residency at VCCA. She currently works as the readings coordinator at the NYU Creative Writing Program, and lives in Brooklyn.

Updated April 2010


VELINA HASU HOUSTON has written over thirty plays, including sixteen commissions, in a career that began at New York’s Manhattan Theatre Club with her seminal work Tea. Her plays are presented internationally throughout Asia, as well as in the U.S., Canada, Greece, Croatia, and Australia. The recipient of many honors, Houston writes opera, essays, television, film, and poetry. She is a member of the Dramatists’ Guild, Writers Guild of America-West, League of Professional Theatre Women, and Alliance of Los Angeles Playwrights. She serves on the U.S. Department of State’s U.S.-Japan Conference on Cultural and Educational Interchange. At the USC School of Theatre, she is founder of the Master of Fine Arts in Dramatic Writing Program. She is also Professor of Theatre, Associate Dean of Faculty, Director of Dramatic Writing, and Resident Playwright. Her work is archived at the Library of Congress Huntington Library. 

Updated June 2012 

(Photograph by Ken Matsui) 


Hiromi Itō is one of the most important poets of contemporary Japan.  In the 1980s, she wrote a series of collections about sexuality, childbirth, and women’s bodies in such dramatically new and frank ways that she is often credited with revolutionizing postwar Japanese poetry.  Since she moved to the U.S., her work has focused on migration and the psychological effects of linguistic and cultural alienation.  She is the author of over ten collections of poetry, including Sōmoku no sora, winner of the Gendai Shi Techo Prize, and Kawara arekusa, winner of the Takami Jun Award; numerous essay collections and translations; and several novellas and novels, including Ranīnya, winner of the Noma Literary Prize, and Toge-nuki: Shin Sugamo Jizō engi, winner of the Hagiwara Sakutarō Prize and the Izumi Shikibu Prize.  Itō’s first poetry collection translated into English is Killing Kanoko

Updated July 2012

(Photographed by Hirayama Toshio)


Michelle Har Kim received her doctorate in Comparative Literature from the University of Southern California.  Her dissertation, "Antipodes of Asian American Literature: Heterolingualism and the Asian Americas" (2012), explores a series of Asian American texts that are written in Spanish and/or that cite Asian diasporic lives in the Americas.

Updated September 2012


Joy Kogawa was born in Vancouver in 1935 to Japanese-Canadian parents. During World War II, Joy and her family were forced to move to Slocan, British Columbia, an injustice Ms. Kogawa addresses in her 1981 novel Obasan. She has worked to educate Canadians about the history of Japanese Canadians and was active in the fight for official governmental redress. Ms. Kogawa studied at the University of Alberta and the University of Saskatchewan. Her most recent poetic publication is A Garden of Anchors. The long poem A Song of Lilith, published in 2000 with art by Lilian Broca, retells the story of Lilith, the mythical first partner to Adam. In 1986 Ms. Kogawa was made a Member of the Order of Canada, and in 2006 she was made a Member of the Order of British Columbia. In 2010 the Japanese government honored Ms. Kogawa with the Order of the Rising Sun "for her contribution to the understanding and preservation of Japanese Canadian history.” Ms. Kogawa currently lives in Toronto.

Updated July 2013


Marie Mutsuki Mockett was born in Carmel, California to a Japanese mother and an American father. She graduated from Columbia University with a degree in East Asian Studies. Picking Bones from Ash, published by Graywolf, is her first novel.

Updated February 2010


David Mura is a poet, creative nonfiction writer, critic, playwright and performance artist. His memoir Turning Japanese: Memoirs of a Sansei won a 1991 Josephine Miles Book Award from the Oakland PEN and was listed in the New York Times Notable Books of Year. His second book of poetry, The Colors of Desire, won the Carl Sandburg Literary Award from the Friends of the Chicago Public Library. His first, After We Lost Our Way, won the 1989 National Poetry Series Contest. His most recent work is the novel Famous Suicides of the Japanese Empire.

Updated May 2010


Tyrone Nagai received his MFA in Creative Writing from San Diego State University. His work has appeared in Fiction International, The Strip, New Verse News, and Armageddon Buffet.

Updated February 2011


Richard Oyama has a Master’s degree in English, Creative Writing from San Francisco State University.  His work has appeared in Premonitions: The Kaya Anthology of New Asian North American Poetry, The Nuyorasian Anthology, Breaking Silence, Dissident Song, A Gift of Tongues (University of Georgia Press, 1987), Malpais Review, Adobe Walls, and other small literary magazines and small-press books.  The Country They Know (Neuma Books, 2005) is his first collection of poetry. 

He has taught English and Ethnic Studies at the California College of Arts, University of California, Berkeley, University of New Mexico, San Francisco Art Institute, and California State University, Hayward.  From 1974 to 79 he was coordinator of the writers workshop of Basement Workshop, an Asian American arts organization in New York's Chinatown.  He is currently working on a second volume of poetry and his first novel, The Orphaned.

Updated June 2012 


Anna K. Stahl is the daughter of Mr and Mrs Stahl, a mixed-race couple, half Caucasian and half Japanese. Anna is a fiction writer and a literature/writing professor based in Buenos Aires, Argentina, and writing in the Spanish language. Her fiction and analytical essays often explore cross-cultural experiences; her work is recognized as a new voice for this theme in the Spanish language. She is married to a South American, and they have a young daughter who continues (and indeed expands) the multicultural dynamic.

Updated April 2012


Amy Uyematsu was a sansei poet and teacher from Los Angeles. She had six published collections, including her most recent, That Blue Trickster Time. Her first poetry collection, 30 Miles from J-Town, won the 1992 Nicholas Roerich Poetry Prize. Active in Asian American Studies when it first emerged in the late 60s, she was co-editor of the widely-used UCLA anthology, Roots: An Asian American Reader. Her essay, “The Emergence of Yellow Power in America” (1969), has appeared in numerous publications.

Amy was a poetry editor of Greenmakers: Japanese American Gardeners in Southern California (2000). In 2012 Amy was recognized by the Friends of the Little Tokyo Branch Library for her writing contributions to the Japanese American community. Amy taught high school math for LA Unified Schools for 32 years. She has also taught creative writing classes for the Little Tokyo Service Center. She passed away in June 2023.

Updated December 2023