Discover Nikkei

https://www.discovernikkei.org/en/interviews/clips/997/

Mothers and Taiko

Well, it’s interesting because I think with respect to the group, when you look at the old Paia Mantokuji Taiko group, it was all men, older men. And when you look at Maui Taiko now, there’s quite a number of mothers who are in the group, and my husband who’s a father, and my dad. But, the mothers were the ones that brought their children to become involved culturally in taiko. And somehow they became involved in taiko. And what we do—and I know we did this during our last recruiting session with our new members—was that we got the children involved, but we always would say, “The mothers and fathers are welcome to join us, too.” We always say that.

And what we found is that when you do it together, the members stay for a long time. The members who are in our group—the mothers and daughters and the mothers and son and entire families—they have been the ones that have been with the group for more than five or six years. And there are children who come through our group who have only done it themselves without their parents, but we end up losing them to college and even through high school. But, the mothers stay. So we do stress family because I think we recognize that they commit longer to the group.


drum families Hawaii Maui Maui Taiko taiko United States

Date: July 9, 2004

Location: Hawaii, US

Interviewer: Art Hansen, Sojin Kim

Contributed by: Watase Media Arts Center, Japanese American National Museum

Interviewee Bio

Kay Fukumoto, of Maui Taiko, continues a multi-generational family tradition of playing taiko at local, annual Obon festivals that began with her grandfather and great-grandfather and now includes her husband and son. Though the Maui Taiko group was formed officially in 1996, it has been operating informally on Maui, Hawaii for over 100 years.

In 1970, at the age of ten, Kay was the first girl to be allowed to play the taiko at an Obon festival on the island of Maui. She now leads Maui Taiko, which plays at 16 different temples during the Obon festival season. In 2001, she coordinated a trip for the group to perform taiko in Fukushima and Hiroshima, Japan. (July 9, 2004)

Mas Kodani
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Kodani,Mas

Playing traditional gagaku while creating an identity

Senshin Buddhist Temple minister and co-founder of Kinnara Taiko.

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PJ Hirabayashi
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Hirabayashi,PJ

Taiko as self-expression

Co-founder and creative director of San Jose Taiko

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PJ Hirabayashi
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Hirabayashi,PJ

A “principally-based” taiko group in England creating a global taiko community

Co-founder and creative director of San Jose Taiko

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Roy Hirabayashi
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Hirabayashi,Roy

Learning Japanese at school and at home with family

(b.1951) Co-founder and managing director of San Jose Taiko.

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Roy Hirabayashi
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Hirabayashi,Roy

Defining a Taiko player

(b.1951) Co-founder and managing director of San Jose Taiko.

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Aiko Yoshinaga Herzig
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Herzig,Aiko Yoshinaga

Family separated in the camps

(1924-2018) Researcher, Activist

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Bert A. Kobayashi
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Kobayashi,Bert A.

Family first

(b.1944) Founder of Kobayashi Group, LLC

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Bert A. Kobayashi
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Kobayashi,Bert A.

Being accepted as biracial family

(b.1944) Founder of Kobayashi Group, LLC

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George Yamada
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Yamada,George

Memories of railroad workers who stayed at family's prewar hotel in Spokane, Washington

(b. 1923) Chick sexer

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Paula Hoyos Hattori
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Hattori,Paula Hoyos

Her interests in Japanese culture (Spanish)

Sansei Argentinean

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Margaret Oda
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Oda,Margaret

Growing up with Japanese language and values

(1925 - 2018) Nisei educator from Hawai‘i

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Johnny Mori
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Mori,Johnny

Japanese American taiko is not Japanese taiko

(b. 1949) Musician and arts educator and adminstrator.

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Johnny Mori
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Mori,Johnny

Parents didn't accept me playing taiko in the beginning

(b. 1949) Musician and arts educator and adminstrator.

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George Abe
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Abe,George

Ocean of Sound: Taiko in the Womb

(b. 1944) taiko and flute performer

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George Abe
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Abe,George

The Birth of Kinnara

(b. 1944) taiko and flute performer

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