Discover Nikkei

https://www.discovernikkei.org/en/interviews/clips/717/

Advantages of being Nikkei (Spanish)

(Spanish) I think you could say there’s a big advantage [being Nikkei]. In the past, people would say it was hard being Nikkei, right? Because there you were, neither Japanese nor a local, or a Chilean in this case. But I believe that nowadays it’s just the opposite. I think being somewhere in between is very advantageous, because now with cultural globalization there’s information being exchanged between one culture and another, right? It’s very strong, and so because of that, being in the middle oftentimes allows us to understand the good and bad of both cultures. So, I think that, at least in my case, the position of being Nikkei, today, with one foot on one side and the other foot on the other, I think it’s advantageous or positive more than anything.


Chile identity

Date: October 7, 2005

Location: California, US

Interviewer: Ann Kaneko

Contributed by: Watase Media Arts Center, Japanese American National Museum

Interviewee Bio

Roberto Hirose was born in Quillota, Chile on August 8, 1950. He spent his childhood in an agricultural environment where he met a variety of the local Japanese in Chile. He attended school in Quillota and later in Copiapó. In Copiapó, he had the opportunity to meet people from Japan who had come to the mining area of Chile for work. He studied electrical engineering at La Universidad de Chile, in Santiago (1968-1973). Subsequently, he was awarded a six month scholarship by the Ministerio de Educación de Japón to study Japanese at the University of Foreign Languages in Osaka, and research electrical engineering at the University of Hiroshima for one year. For over a decade, Roberto worked in the machinery department at Mitsui Chile Ltda. In 1986, he worked at Industrias Vinycon (as a manufacturer of industrial fishing materials). In 2002, he managed the diversification of Vinycon in northern Chile, specifically in Caldera, where he directed an agricultural center for the cultivation of abalone. In regards to Nikkei activities in Chile, Roberto actively participated in the Sociedad Japonesa de Beneficencia from 1968 to 1986. Afterwards, he became involved with the Corporación Nikkei de la Región de Valparaíso (formerly the Agrupación Nikkei de Valparaíso) of which he is still a part of today. (May 2, 2007)

Yoshiko Inose
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Inose,Yoshiko

The Secret to Youth (Japanese)

(b.1908) Daugther of the first publisher of the Rafu Shimpo

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Margaret Kuroiwa
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Kuroiwa,Margaret

Beach & America

Daughter of an Issei doctor.

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Jero  (Jerome Charles White Jr.)
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(Jerome Charles White Jr.),Jero

Interest in Japan stemmed from his mother and grandmother’s stories

(b. 1981) Enka Singer

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Jero  (Jerome Charles White Jr.)
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(Jerome Charles White Jr.),Jero

Embraces his Japanese heritage

(b. 1981) Enka Singer

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Jero  (Jerome Charles White Jr.)
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(Jerome Charles White Jr.),Jero

Dreamed of becoming an Enka singer

(b. 1981) Enka Singer

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Jero  (Jerome Charles White Jr.)
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(Jerome Charles White Jr.),Jero

His clothes are part of his identity

(b. 1981) Enka Singer

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Jero  (Jerome Charles White Jr.)
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(Jerome Charles White Jr.),Jero

Hopes everyone pursues their dreams regardless of race or heritage

(b. 1981) Enka Singer

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Jero  (Jerome Charles White Jr.)
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(Jerome Charles White Jr.),Jero

Considers Pittsburg his home, but always wanted to live in Japan

(b. 1981) Enka Singer

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Jero  (Jerome Charles White Jr.)
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(Jerome Charles White Jr.),Jero

Singing the way I sing (Japanese)

(b. 1981) Enka Singer

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Jero  (Jerome Charles White Jr.)
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(Jerome Charles White Jr.),Jero

The first concert in the United States (Japanese)

(b. 1981) Enka Singer

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Robert A. Nakamura
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Nakamura,Robert A.

Creating Culture

(b. 1936) Filmmaker

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Stan Sakai
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Sakai,Stan

Cultural influences

(b. 1953) Cartoonist

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Robert A. Nakamura
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Nakamura,Robert A.

Formula for Freedom

(b. 1936) Filmmaker

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Evelyn Yoshimura
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Yoshimura,Evelyn

Commonalities

Community Activist

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Evelyn Yoshimura
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Yoshimura,Evelyn

Understanding Gidra's Context

Community Activist

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