Discover Nikkei

https://www.discovernikkei.org/en/interviews/clips/1667/

Keeping Japanese Performance Arts Alive in the Camps

My mother made friends with a lot of artists, who were dancers and teachers, and so that’s when I began to take Japanese odori, playing the shamisen, doing nagauta, I guess, and I loved it. I mean, I really enjoyed it. I think that if it weren’t for those camp days, I wouldn’t have been interested in the arts or acting. What I really loved was doing kabuki plays. I didn’t understand a word that I was saying, my mother would tell me what the words were, what they meant, and then I would just memorize it. I could read it in katakana, so she would write out the words in katakana, and my favorite was playing Hichidameno Okaru. Well, I remember one line, and it still gives me pleasure because it’s different. It would be “ura-san ka, watasha omae ni moritsubu-sare,” you know, very overly dramatic.


acting actors artists dance entertainers music plays World War II camps

Date: November 8, 2018

Location: California, US

Interviewer: June Berk

Contributed by: Watase Media Arts Center, Japanese American National Museum

Interviewee Bio

Takayo Fischer, born in November 1932, is a Nisei American stage, film, and TV actress. During World War II, as a young child, she and her family were forcibly evacuated from the West Coast and spent time in the Fresno Assembly Center before being relocated to Jerome and Rohwer concentration camps. Fischer later lived in Chicago, Illinois, where, as a young adult, she won the crown of “Miss Nisei Queen.” She has appeared in dozens of major Hollywood films, including Moneyball (2011), Pirates of the Caribbean: At World's End (2007), The Pursuit of Happyness (2006), and Memoirs of a Geisha (2005). She also appeared in the stage production of The World of Suzie Wong in New York in 1958 and many productions with East West Players in Los Angeles. (June 2018)

Jeanne Wakatsuki Houston
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Houston,Jeanne Wakatsuki

Documenting family history for future generations

(b. 1934) Writer

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Jeanne Wakatsuki Houston
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Houston,Jeanne Wakatsuki

Not a "camp story" but a human story

(b. 1934) Writer

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Roy Hirabayashi
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Hirabayashi,Roy

Introducing Taiko in Vancouver

(b.1951) Co-founder and managing director of San Jose Taiko.

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Roy Hirabayashi
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Hirabayashi,Roy

The philosophy of playing Taiko

(b.1951) Co-founder and managing director of San Jose Taiko.

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Roy Hirabayashi
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Hirabayashi,Roy

Defining a Taiko player

(b.1951) Co-founder and managing director of San Jose Taiko.

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Fujima Kansuma
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Kansuma,Fujima

Dancing in Japan as an American, in the US as Japanese

(1918-2023) Nisei Japanese kabuki dancer

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Fujima Kansuma
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Kansuma,Fujima

Different learning style in Japan and the United States

(1918-2023) Nisei Japanese kabuki dancer

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Fujima Kansuma
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Kansuma,Fujima

Both Japanese and American identities though Japanese dance

(1918-2023) Nisei Japanese kabuki dancer

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Fujima Kansuma
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Kansuma,Fujima

Hardship to be a Kabuki dancer as a woman

(1918-2023) Nisei Japanese kabuki dancer

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Fujima Kansuma
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Kansuma,Fujima

Do my best as a professional dancer

(1918-2023) Nisei Japanese kabuki dancer

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Aiko Yoshinaga Herzig
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Herzig,Aiko Yoshinaga

Family separated in the camps

(1924-2018) Researcher, Activist

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Aiko Yoshinaga Herzig
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Herzig,Aiko Yoshinaga

Feeling imprisoned at camp

(1924-2018) Researcher, Activist

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Aiko Yoshinaga Herzig
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Herzig,Aiko Yoshinaga

Institutionalization as a bad aspect of camp

(1924-2018) Researcher, Activist

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Dale Minami
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Minami,Dale

Reasons for conformity and competitiveness in Gardena, California

(b. 1946) Lawyer

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Dale Minami
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Minami,Dale

Not fully understanding parents' World War II incarceration while growing up

(b. 1946) Lawyer

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