Discover Nikkei

https://www.discovernikkei.org/en/interviews/clips/1365/

Inspired to play ukulele after hearing Eddie Kamae

Then I met Eddie Kamae when I was twelve years old. He was like late teens, like about nineteen. And the amazing thing is, he played for me in this coffee shop, and I was shocked that the ukulele could sound that good. To play all that…those intricate and difficult thing.

He did a lot of things, like playing double picking.  [plays ukulele] So I bugged him every weekend, after we were there, didn’t have school, to play for me. He didn’t actually say, do this, do that, do this. You know, he played for me, and by watching, I learned more.

All these things, he started, like Latin music. [plays ukulele]

So in the end, I ended up sounding like him, you know, his style. He told me, you better find your own way of playing, you know, style, because copying somebody isn’t such a great thing, you know. But like anything else, you have to do that in the beginning, I guess. Copy somebody, you know, who you admire or something.

So he took me under his, you know, under his arm, and he really gave me a chance to learn, you know.


Hawaii music musical instruments musicians ukulele United States

Date: August 2012

Location: Hawai`i, US

Interviewer: John Esaki

Contributed by: Watase Media Arts Center, Japanese American National Museum

Interviewee Bio

78-years-old, is known by ukulele fans in Japan and around the world as "Ohta-san." Ohta-san is a master ukulele player who learned to play the instrument from his mother in the pre-World War II era in Honolulu. He played a major role in popularizing the ukulele in the 1960s and 70s, expanding the repertoire of the instrument beyond Hawai`ian songs to include international pop and jazz. In his interview, Ohta-san vividly demonstrates his stylistic development by playing excerpts from songs that were significant to his career. (June 2014)

Richard Kosaki
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Kosaki,Richard

Change in attitudes after World War II

(b. 1924) Political scientist, educator, and administrator from Hawai`i

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Seiichi Tanaka
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Tanaka,Seiichi

Soukou Bayashi: Dedicated to the Issei (Japanese)

(b.1943) Shin-issei grand master of taiko; founded San Francisco Taiko Dojo in 1968.

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Etsuo Hongo
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Hongo,Etsuo

First taiko performance in the United States (Japanese)

(1949 - 2019) Taiko player. Founded five taiko groups in Southern California

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Etsuo Hongo
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Hongo,Etsuo

Taiko's sounds as Japanese cultural tradition (Japanese)

(1949 - 2019) Taiko player. Founded five taiko groups in Southern California

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Etsuo Hongo
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Hongo,Etsuo

Promoting group identity through taiko contests (Japanese)

(1949 - 2019) Taiko player. Founded five taiko groups in Southern California

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Richard Kosaki
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Kosaki,Richard

Working at a first aid station on Oahu after December 7

(b. 1924) Political scientist, educator, and administrator from Hawai`i

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Mas Kodani
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Kodani,Mas

Changing the taiko rhythm from Japanese to Afro-Cuban

Senshin Buddhist Temple minister and co-founder of Kinnara Taiko.

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Seiichi Tanaka
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Tanaka,Seiichi

Meeting Kinnara Taiko

(b.1943) Shin-issei grand master of taiko; founded San Francisco Taiko Dojo in 1968.

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Seiichi Tanaka
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Tanaka,Seiichi

Happi coats in taiko

(b.1943) Shin-issei grand master of taiko; founded San Francisco Taiko Dojo in 1968.

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Seiichi Tanaka
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Tanaka,Seiichi

Traditional taiko style

(b.1943) Shin-issei grand master of taiko; founded San Francisco Taiko Dojo in 1968.

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Mas Kodani
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Kodani,Mas

American influences on Japanese taiko

Senshin Buddhist Temple minister and co-founder of Kinnara Taiko.

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Mike Shinoda
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Shinoda,Mike

Role as an artist

(b. 1977) Musician, Producer, Artist

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Mas Kodani
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Kodani,Mas

Taiko is a reflection of where you live

Senshin Buddhist Temple minister and co-founder of Kinnara Taiko.

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Mas Kodani
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Kodani,Mas

Playing traditional gagaku while creating an identity

Senshin Buddhist Temple minister and co-founder of Kinnara Taiko.

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PJ Hirabayashi
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Hirabayashi,PJ

Taiko as self-expression

Co-founder and creative director of San Jose Taiko

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