The Asian American Literary Review

The Asian American Literary Review is a space for writers who consider the designation “Asian American” a fruitful starting point for artistic vision and community. In showcasing the work of established and emerging writers, the journal aims to incubate dialogues and, just as importantly, open those dialogues to regional, national, and international audiences of all constituencies. It selects work that is, as Marianne Moore once put it, “an expression of our needs…[and] feeling, modified by the writer’s moral and technical insights.”

Published biannually, AALR features fiction, poetry, creative nonfiction, comic art, interviews, and book reviews. Discover Nikkei will feature selected stories from their issues.

Visit their website for more information and to subscribe to the publication: www.asianamericanliteraryreview.org

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Asian American Literature Forum Response by Anna Kazumi Stahl - Part 3

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Now, to return to the issue posed in this forum’s prompt: in my case, I must try to find an instance in which both a generational difference and a national-cultural one revealed their criteria and influence. And there was a specific instance, an event I participated in several years ago, in 2004, for the “Japan Theme Day” at the Buenos Aires International Book Fair. I was invited together with an Argentine Nisei, Maximiliano Matayoshi, a talented young novelist who was then just over twenty. By this I mean to indicate that Maximiliano Matayoshi would pertain …

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Asian American Literature Forum Response by Anna Kazumi Stahl - Part 2

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To get back to the prompt this forum is based on, I answer that I do see a parallelism between those expansions in an Asian American literature’s aesthetic/stylistic reach and that 1980s Presidential apology to Japanese Americans (although those $20,000 checks remain a bit of a thorn, and most pooled the money for monuments and programs that would keep the memory of those ten internment camps alive for future generations).

Those were the kinds of things that happened in my generation’s early adulthood.

Certainly, they were momentous revelations. But to me, on a more individual …

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Asian American Literature Forum Response by Anna Kazumi Stahl - Part 1

“Are there any continuities,” wonders scholar Min Hyoung Song, “between the earlier generation of writers which first raised the banner of an Asian American literature and a later generation of writers which inherited it?” The Asian American Literary Review asked writers to respond to this question for their Spring 2012 issue on “Generations.”

Forum Response by Anna Kazumi Stahl

Given that I was born to a mixed race couple (Japanese and German) in the Deep South in 1963, I grew up in a context of rock-throwing, name-calling racism, explicit and publicly allowed. Of course, these attitudes were even then abhorred …

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Asian American Literature Forum Response by Velina Hasu Houston

“Are there any continuities,” wonders scholar Min Hyoung Song, “between the earlier generation of writers which first raised the banner of an Asian American literature and a later generation of writers which inherited it?” The Asian American Literary Review asked writers to respond to this question for their Spring 2012 issue on “Generations.”

Forum Response by Velina Hasu Houston

Respecting History

As a playwright of Asian descent, I find my perspectives on Asian American literature naturally gravitate toward Asian American dramatic literature. As early as the 1920s, Asian American playwriting emerged with Gladys Li’s The Submission of Rose Moy (1924). …

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Asian American Literature Forum Response by Richard Oyama

“Are there any continuities,” wonders scholar Min Hyoung Song, “between the earlier generation of writers which first raised the banner of an Asian American literature and a later generation of writers which inherited it?” The Asian American Literary Review asked writers to respond to this question for their Spring 2012 issue on “Generations.”

Forum Response by Richard Oyama

In 1974 I first went to Basement Workshop (BW), an Asian American arts organization in New York’s Chinatown. Though I’d taken creative writing classes at The City College of New York, I longed to share my work with kindred spirits. That year …

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aalr Anna Stahl Asian American literature new york playwright poet poetry Richard Oyama velina hasu houston writers