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UID:events.uid.4275@www.discovernikkei.org
DTSTART:20130524T000000Z
DTEND:20130721T000000Z
DESCRIPTION:This <a href="http://tjasop.memberlodge.org/widget/Default.aspx
 ?pageId=1200985&amp\;eventId=601109&amp\;EventViewMode=2&amp\;CalendarView
 Type=1&amp\;SelectedDate=7/19/2013" target="_blank">exhibition</a>&nbsp\;i
 s rooted in the historical\, visual\, and cultural&nbsp\;connections betwe
 en Carnegie Museum of Art&rsquo\;s collection of traditional Japanese prin
 ts (<em>ukiyo-e</em>) and Carnegie Museum of Natural History&rsquo\;s coll
 ection of Japanese ivories (<em>okimono</em>). Both Pittsburgh collections
  originated in the early years of the 20<sup>th</sup>&nbsp\;century\, moti
 vated by the West&rsquo\;s acceptance of Japan as an emerging modern power
 \, and the aesthetic appeal of Japanese art to Western artists and collect
 ors. In 1905 Carnegie Institute&rsquo\;s department of fine arts (predeces
 sor of Carnegie Museum of Art) mounted its first exhibition of Japanese pr
 intsundefined95 examples from the collection of poet and critic Sadakichi 
 Hartmannundefinedand in 1910 it displayed in the Museum a selection of H. 
 J. Heinz&rsquo\;s rapidly growing collection of ivories. This exhibition w
 ill fulfill Carnegie Institute&rsquo\;s original vision for Japanese art: 
 a gallery of the combined collections exemplifying aspects of Japanese cul
 ture most relevant to the modern West.\nLink:&nbsp\;<a href="http://tjasop
 .memberlodge.org/widget/Default.aspx?pageId=1200985&amp\;eventId=601109&am
 p\;EventViewMode=2&amp\;CalendarViewType=1&amp\;SelectedDate=7/19/2013">ht
 tp://tjasop.memberlodge.org/widget/Default.aspx?pageId=1200985&amp\;eventI
 d=601109&amp\;EventViewMode=2&amp\;CalendarViewType=1&amp\;SelectedDate=7/
 19/2013</a>\nMuseum Website:&nbsp\;<a href="http://www.cmoa.org/">http://w
 ww.cmoa.org/</a>
DTSTAMP:20240419T141105Z
SUMMARY:“Japan is the key…” Asian Art / Modern Pittsburgh\, 1900-1920
URL:/en/events/2013/05/24/japan-is-the-key-asian-art-modern-pittsburgh/
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