Mia Nakaji Monnier

Mia Nakaji Monnier nació en Pasadena, de madre japonesa y padre americano, y ha vivido en once ciudades y pueblos diferentes, incluyendo Kioto – Japón, en el  pequeño pueblo Vermont y en el suburbano Texas. Actualmente, ella estudia  escritura no ficticia en la Universidad de South California y escribe para Rafu Shimpo y Hyphen magazine, y es practicante en Kaya Press. Puede contactarse con ella en: miamonnier@gmail.com

Última actualización en febrero de 2013

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MFA’s kimono controversy should spark deeper conversation

I work at a Japanese-American community newspaper where, every Halloween, we have the same conversation. Then something happens — like Katy Perry gives a performance, or a fraternity has a theme party — and we have the conversation again. If I had strong feelings in the beginning, they’ve been numbed by time and frequency. I just don’t have the energy to react each time a white person wears a kimono as a costume.

But when the Boston Museum of Fine Arts launched and ultimately canceled an interactive event called “Kimono Wednesdays” — during which visitors could pose with Monet’s “La …

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One Beautiful, Unbearable Year in Japan

When I tell people about my year in Japan, I tell the best parts. The unexpected shrines in the middle of city blocks. The chestnut cakes that sweetened bitter tea. The wooden temples that stood so tall I could bend my neck back and barely see the place where they disappeared into the fog. There were so many best parts.

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I can’t think about Japan without romanticizing it, imagining the streets swallowed up by one color or another: yellow gingko, pink cherry blossoms, red maples, white snow. Jizo statues stand by the road, their eyes and mouths closed in …

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Funeral

One of my great aunts died this week [Note: This article was written in September 2010]. She was in her late 80s, an age that another of our elderly family friends once called something that translates like “an age you can’t complain about dying at,” and she had been sick for almost as long as I can remember. To me, the news didn’t come as a huge surprise and, through this point in my life, death has always felt so foreign that I think I barely know how to register it.

But in just the past couple of years, …

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identity en ja es pt

En parte asiática, No “hapa”

Mi madre es una japonesa de Osaka; mi padre, un americano de un pueblo pequeño del oeste de Oregon.  Hay una palabra para la gente como yo, usada especialmente en la Costa Oeste y popularizada en años recientes, quizás de manera más notable por el artista Kip Fulbeck:

Hapa.

De la frase hawaiana “hapa haole” (mitad blanco), la palabra “hapa” se ha convertido en una etiqueta que mucha gente multirracial, con alguna herencia asiática, incorpora en sus identidades, sea que la lleve con orgullo o con ambivalencia.

Yo no la uso para nada

No es que yo piense …

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Japanese American National Museum Store Online

Hapa-ly Ever After: An Interview with Jeff Chiba Stearns

Growing up in the predominantly white city of Kelowna, British Columbia, Jeff Chiba Stearns felt very aware of being different from most of the people around him. Born to a Sansei mother and “Euro-mutt” father (of English, Scottish, German, and Russian descent), he was no stranger to the “What are you?” question.

Over the years, Stearns continued to reflect on his cultural identity until eventually he began to illustrate his thoughts (using a process he calls “animation meditation”). The result, in 2005, was “What Are You Anyway?” an animated short about his process of coming to terms with being mixed. …

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