Frank Abe

Frank Abe is producer/director of the award-winning PBS documentary, CONSCIENCE AND THE CONSTITUTION. He helped produce the two original “Day of Remembrance” media events in Seattle and Portland that publicly dramatized the campaign for redress. He was a founding member of the Asian American Theater Workshop in San Francisco and of the Asian American Journalists Association in Seattle, and was featured as a JACL-like camp leader in the NBC/Universal movie, FAREWELL TO MANZANAR. He was an award-winning reporter for KIRO Newsradio, the CBS Radio affiliate in Seattle, and is currently Director of Communications for the King County Executive in Seattle. 

Updated April 2015

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Nikkei Chronicles #4—Nikkei Family: Memories, Traditions, and Values

Discovering My Father Was a No-No Boy

This is the story of a rank-and-file supporter of the Heart Mountain Fair Play Committee, one of the many never named who chipped in two hard-earned 1944 dollars to the defense fund for the young draft resisters.

His name was George Yoshisuke Abe, and yes, he was my father. Dad died in his sleep on April 1, his last laugh on all of us. He was 91.

In preparing for his service, I revisited a chronology he wrote some years ago, and was startled to discover something I’d completely overlooked: Dad was in fact a no-no boy.

This is what …

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Henry Miyatake: Seattle Redress Visionary

Within JACL circles, its Seattle chapter has always been known, with either admiration or disdain, as “the maverick chapter.” For that, they can thank Henry Miyatake.

Henry was the troublemaker Japanese America needed. Without his persistent vision of petitioning for redress of grievances, the government would never have rescinded Executive Order 9066 in 1976, Seattle would have never organized the nation’s first Day of Remembrance in 1978, and the campaign for redress for the World War II incarceration might never have gotten off the ground.

Two stories capture what made Henry special.

As a teenager at Hunt High School in …

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culture en

Stage Adaptation Of “No-No Boy” Violates John Okada’s Novel

A headline first written by Frank Chin in 2010, “Don’t F**k With No-No Boy,” captures the insistence with which audiences should reject the recent stage adaptation of John Okada’s landmark novel No-No Boy.

A New York theater company is now pitching a national tour with stops in the Midwest and West Coast, of an adaptation of No-No Boy that violates the art of John Okada by tacking on an artificially happy ending to his story.

After more than 100,000 copies sold in 17 printings over nearly 60 years, it is well-established that much of No-No Boy’s power …

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