Tamiko Nimura

Tamiko Nimura é uma escritora sansei/pinay [filipina-americana]. Originalmente do norte da Califórnia, ela atualmente reside na costa noroeste dos Estados Unidos. Seus artigos já foram ou serão publicados no San Francisco ChronicleKartika ReviewThe Seattle Star, Seattlest.com, International Examiner  (Seattle) e no Rafu Shimpo. Além disso, ela escreve para o seu blog Kikugirl.net, e está trabalhando em um projeto literário sobre um manuscrito não publicado de seu pai, o qual descreve seu encarceramento no campo de internamento de Tule Lake [na Califórnia] durante a Segunda Guerra Mundial.

Atualizado em junho de 2012

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Experiencing Seattle Opera’s An American Dream

The lights flicker once, and people begin to move from the lobby into a long line.

“Why all this drama?” the White woman behind me is asking. “They’ve never done this before, why are they going through our bags now? We have had enough of going through security.”

The Seattle Opera staff member, dressed in a sober maroon jacket, answers her. “It’s part of the pre-show experience,” she says. I look ahead to the long table, the security guards in black uniforms, the whitewashed picket fence, the barbed wire in front of the exhibits, and suddenly I know ...

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Some of My Favorite Nikkei and Japanese American Children’s Picture Books

Growing up in a family of voracious readers and three librarians, I was incredibly lucky to have books—almost as many as I wanted. I’ll never forget coming back from our trip to Japan to find that my auntie had left me the entire Anne of Green Gables series on my desk. One day I looked at our family bookshelf and realized that on a full shelf were loaned books that my dad had brought home from the university library where he worked as head of circulation. Some of the most precious books to me were ones that featured ...

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Pictures at an Asian American Exhibition: Roger Shimomura, “American Matsuri” at the Tacoma Art Museum

Prelude

I am thinking about what it means to be seen.


Entrance

Every October, the foyer and the main entrance to the Tacoma Art Museum (TAM) are a riot of color, excitement, noise. There’s a sand painting just inside the main door. In the theater space a mariachi band is playing. Upstairs and around the museum, there are dozens of community altars with flowers, pictures and jewel-tone creations. Inside the craft rooms, my kids are painting sugar skulls; many of the kids’ faces next to them have been painted to look like skeletons. A long streamer of papel picado ...

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“Just Good Theater”: An Interview with Aya Hashiguchi Clark, Tacoma Actress and Producer

Aya Hashiguchi Clark is a Nikkei actress and producer who lives in my hometown of Tacoma, Washington. She and her husband recently founded Dukesbay Productions, a theater company devoted to “[presenting] theatrical works that reflect and celebrate our diverse society in the Pacific Northwest,” as well as showcase “local actors who represent a diversity of ethnicity, age, religious background, training/experience, and acting type.” I’m grateful that Aya was able to spend some time talking to me about her theater experience and her reasons for founding Dukesbay.

The following conversation is a lightly edited version of our online chat ...

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A Lesson in Taiko—And Parenting

“Don doro don don, Don doro don don, Don doro don don, Don doro don don….”

Nine of us are onstage at the Tacoma Buddhist Temple, a bachi in each hand, each one with our taiko drum and stand. Our group is having a taiko demonstration and class from Wendy Hamai, one of the founding members of the Tacoma Fuji Taiko. The class had been arranged for my daughter and her Girl Scout troop, but Wendy asked us if we—the mothers—would be interested in playing, too.

And so there we were, three moms and five fourth grade girls ...

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