Tamiko Nimura

Tamiko Nimura é uma escritora sansei/pinay [filipina-americana]. Originalmente do norte da Califórnia, ela atualmente reside na costa noroeste dos Estados Unidos. Seus artigos já foram ou serão publicados no San Francisco ChronicleKartika ReviewThe Seattle Star, Seattlest.com, International Examiner  (Seattle) e no Rafu Shimpo. Além disso, ela escreve para o seu blog Kikugirl.net, e está trabalhando em um projeto literário sobre um manuscrito não publicado de seu pai, o qual descreve seu encarceramento no campo de internamento de Tule Lake [na Califórnia] durante a Segunda Guerra Mundial.

Atualizado em junho de 2012

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On Nikkei and Cross-Racial Solidarity: Three Seattle-Area Artist/Activist Perspectives

In a heightened wave of anti-Asian racism, including attacks on Asian elders and the murders of 8 Asian women in Atlanta, I have felt the need to reach out—to family, to friends, to community. (For more about what’s been happening in the Seattle area, including a response from Yonsei professor Vince Schleitwiler, click here.)

I wanted to find out more about how we can learn from each other through working together, particularly in crossracial solidarity. As always, I found inspiration, solace, and comfort in doing so. I asked several Nikkei artists/activists in the Seattle area to respond ...

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Nikkei a Descoberto: uma coluna de poesia


As we survey the past year of lockdowns and quarantines that started here in the States by mid-March, 2020, we take stock of a wide spectrum of revelations and experiences over the last twelve months. From new personal practices and experiments in the arena of safer-at-home, to illness and loss, further exposure of inequities and suffering, uprising and reckoning, community unlearning and building—we share the works of two artists who give us a glimmer of their lives through poetics about this last year, oriented to the pandemic. Veteran author Amy Uyematsu returns to the column with just a few ...

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Writing We Hereby Refuse: 3 Things I Learned about Resistance

When I was a little kid in California in the early 1980s, it was cool to be a rebel, or a resister. On the sawdust-covered playground of my elementary school, we played out different scenes from the movie Star Wars. A popular scene reenactment was the trash compactor scene, when we would pretend the wooden play structure was closing in on us and we had to fight our way out. I had to play Princess Leia, the only role that felt available for girls then. (I’m glad that today there would be a wider range of roles and role ...

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Kiku Hughes’ graphic novel Displacement addresses the intergenerational trauma of Japanese American incarceration through a story of time travel

A time-travel graphic novel about intergenerational Japanese American camp history is a surprise. But even for readers versed in this history, Kiku Hughes’s Displacement is a powerful innovation in camp literature and Japanese American literature overall. Displacement brings together several current conversations in camp history: intergenerational trauma, the relevance of camp history for present-day history, tracing genealogy, the tradition of resistance to incarceration, and Japanese American queer history.

As a loosely autobiographical book, the main character “Kiku” is visiting San Francisco’s Japantown on a trip from Seattle when she’s pulled back into a scene from her grandmother ...

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Falling Into Public History: My Writing about Japanese American and African American Community Stories

The following essay is adapted from a talk that I gave to the City of Tacoma Historic Preservation, Tacoma Historical Society, and Historic Tacoma in November 2020. An edited video version is available here on YouTube.

I’ve been asked to talk about my work documenting Tacoma’s Japanese American and African American history. It’s been a great privilege—and a little surprising—for me to be doing this work, which is why I called the talk “Falling Into Public History.”

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Image 1: My roots

When I talk about my writing I have to start with my roots, and ...

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