Gil Asakawa

Gil Asakawa escreve sobre cultura pop e política a partir de uma perspectiva asiático-americana e nipo-americana em seu blog, Ele e seu sócio também fundaram o, em que conduzem entrevistas ao vivo com notáveis ​​asiático-americanos das Ilhas do Pacífico. É o autor de Being Japanese American (Stone Bridge Press, 2004) e trabalhou na presidência do conselho editorial do Pacific Citizen por sete anos como membro do conselho nacional JACL.

Atualizado em novembro de 2009

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Margaret Kasahara’s pop art pokes at Asian stereotypes

Margaret Kasahara was almost half an hour late to the opening reception of her first Denver solo exhibit, at the Sandra Phillips Gallery along the Arts District on Santa Fe Drive. Her fans, friends and collectors milled around soaking in the art on the wall, and made chit-chat until she entered, flustered from being stuck in traffic on this rainy spring evening.

The Colorado Springs-based painter began making the rounds, and one acquaintance made slight of the fact that she was late — it’s no big deal, she told Margaret, who gave a wan smile in return. “No, I bet ...

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“Ninja Assassin” updates the ninja image for the 21st century

The new movie “Ninja Assassin” just might spark a new wave of fascination with Asian martial arts, but instead of kung fu, the fad will be for ninjutsu, the art of the ninja warrior.

The film updates the image of the silent, stealthy assassins from Japanese history, and suggests that ninja clans still exist, sending out mercenaries all over the world to kill off targets for gold. It’s an enticing concept, and one that’s in line with the tradition of the ninja in both Japanese history and Japanese pop-culture mythology.

During my childhood, I didn’t really fantasize ...

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In praise of San Jose’s Japantown — the JA Mayberry

Unlike the many Chinatowns that serve as ethnic cultural enclaves in many American cities from coast to coast, and the increasing numbers of districts variously called “Koreatowns” and “Little Saigons,” you won’t find many Nihonmachi , or Japantowns. There are lots of reasons for this, but the main one is probably the Japanese American community’s need to assimilate into mainstream America after the shame and humiliation of being imprisoned in internment camps during World War II. In the 1950s and ’60s, most JAs moved into suburban America and avoided clustering in ethnic Japanese areas.

Denver has Sakura Square, a ...

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