ミア・ナカジ・モニエ

(Mia Nakaji Monnier)

ロサンゼルスを拠点に活動するライター、編集者。カリフォルニアで日本人の母とアメリカ人の父のもとに生まれる。京都、バーモント州の小さな町、テキサス州の郊外など、11の異なる都市や町に住んだ経験がある。ミア・ナカジ・モニエへの問い合わせ、本人執筆による記事の閲覧はこちらから:mianakajimonnier.com

(2015年7月 更新) 

community en

Keiro Addresses Community at Open Meeting

Each July during Obon, Japanese Americans gather in the Nishi Hongwanji Temple gym to buy udon. Under the basketball hoops, they slurp noodles out of Styrofoam bowls before wandering back into the cooling night to dance Obon odori, pacing ovals in the parking lot, waving uchiwa, those round paper fans with the plastic skeletons that you can find, any time of year, in Japanese American houses and in the pockets of car doors.

Thursday night, around 400 people packed into the temple gym, mostly elderly, mostly wearing red—red shirts, red scarves, red hachimaki tied, warlike, around foreheads. The crowd ...

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identity en

Neither One Nor The Other: Why I Love Being Mixed-Race

I love those parts that seem incompatible but that, in a person, come together.

During my first week of college, I met a guy who, like me, had a long, four-part name. When I told him mine, he said, “Mine are better because they all match.”

This guy wasn’t exactly representative of my classmates at this New England liberal arts college. He was pretty obnoxious, and our friendship ended right along with freshman orientation. But he had a point. His name did match. It was a nice, genteel name, the kind you could transplant out of the 21st century ...

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culture en

The Rumpus Interview With Yumi Sakugawa - Part 2

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Rumpus: Besides the monsters, it seems like a lot of people in your comics are Asian American or Japanese American based on how they look or what they’re eating, or in Cassie’s case, her last name, but it’s usually something that’s in the background, not being explicitly discussed. Is that anything that you ever did explicitly explore in your art, or is identity something that you like to leave in the background and not necessarily spend a whole comic discussing?

Sakugawa: I guess one Asian American comic I did was about this Japanese ...

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culture en

The Rumpus Interview With Yumi Sakugawa - Part 1

In Yumi Sakugawa’s breakout comic, I Think I Am in Friend-Love with You, a one-eyed monster pines for a faceless creature. The pair look something like Cousin It and a soft-bodied Stormtrooper—ageless, genderless, of unrecognizable species—but their story resonated with readers around the world, so much so that the free webcomic was republished in hardcover form.

Since that first book came out in 2013, Sakugawa has contributed comics to sites, including The Rumpus, and self-published several zines, two of which were compiled into a second book, called Your Illustrated Guide to Becoming One with the Universe, in ...

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culture en

Nina Revoyr On Writing About Race and the Mountains - Q&A: Mixed-Race Japanese American Writer Discusses Her Latest Novel, "Lost Canyon"

I’ll always have a special love for Nina Revoyr’s writing. Her 2003 novel, Southland, was the first book I ever encountered by a mixed-race Japanese American woman, not to mention one, like me, with a French last name and a face not obviously Asian. Born in Japan, Revoyr spent part of her childhood in Tokyo and Wisconsin, but most of her books take place in Los Angeles, where she has spent most of her life. She writes about the city with compassion and a sharp eye for detail, paying attention to people and neighborhoods often left out of ...

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