トレイシー・カトウ=キリヤマ

(Traci Kato-Kiriyama )

traci kato-kiriyama is a performer, actor, writer, author, educator, and art+community organizer who splits the time and space in her body feeling grounded in gratitude, inspired by audacity, and thoroughly insane—oft times all at once. She’s passionately invested in a number of projects that include Pull Project (PULL: Tales of Obsession); Generations Of War; The (title-ever-evolving) Nikkei Network for Gender and Sexual Positivity; Kizuna; Budokan of LA; and is the Director/Co-Founder of Tuesday Night Project and Co-Curator of its flagship “Tuesday Night Cafe.” She’s working on a second book of writing/poetry attuned to survival, slated for publication next year by Writ Large Press.

Updated August 2013

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ニッケイを見いだす:詩のコラム

Body

How do memories, observations and spirits transfer through our bodies and onto the page? How does a poem reveal where we hold the gift and burden of memory in our body?

Happy August everyone...I’m excited to bring two beautiful young voices into the “Nikkei Uncovered...” fold. This month, we have Yonsei teen, Greer Nakadegawa-Lee hailing from Oakland, and Gosei Lauren Ito, based in San Francisco via Seattle. On the surface, their poems may be read as text tied to identity and family history, but I read these as body poems - there is a kind of tactile, somatic exploration ...

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ニッケイを見いだす:詩のコラム

Theme: (open)

This month I wanted to leave the theme open and invite two young voices who are both incredibly active in community building work here in Los Angeles. Kahlil Kochiyama is a UCSB (University of California, Santa Barbara) student from the South Bay - his piece places us in his relationship with a simple tool of constant use in both nourishment and reflection on roots and culture. Mya Worrell hails from USC (University of Southern Califonia) via Sacramento county - their work here is a fan poem of the popular musician Mitski and an eye into critical, meaningful fandom and the art/artists ...

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ニッケイを見いだす:詩のコラム

Place/Displace

For this month’s column, I thought it would be a good time to feature the other artists in a residency we are sharing this summer in Little Tokyo (the +LAB Artists-in-Residence program, where five of us are here for three months working on various arts and community engagement projects in partnership with Little Tokyo Service Center, Japanese American Cultural & Community Center, Sustainable Little Tokyo, Visual Communications and the Japanese American National Museum). We ended up going through an experiment together. After two weeks of intense orientation around the Residency theme of “cycles of displacement” - what would come, poetically speaking ...

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ニッケイを見いだす:詩のコラム

Holding

This month’s column features two friends I made when I participated in a movement response workshop in Chicago last summer, led by Chisao Hata, featuring our physical reaction to poetics expressed by actor & poet Ken Yoshikawa. With the emphasis on an intergenerational lens through which we shared, I looked forward to being able to featuring both of them someday here. The two hail from Portland, Oregon and continue to work together amongst their own creative projects aplenty. They hold space here, through their words that weave lineage with a search through the mundane for linkage with fathers, ancestry, and ...

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ニッケイを見いだす:詩のコラム

Negotiating Place

Here we have a first for the Nikkei Uncovered poetry column - a collaborative piece between two wondrous young Nikkei, both University of California, Los Angeles (UCLA) students and “Shin-Nisei,” 1.5 generation artists. They write this from the place of anticipating their Pilgrimage together to Manzanar this month, alongside their cohort of the Vigilant Love Solidarity Arts Fellowship, which brings together college age Nikkei and Muslim activist/artists. Rino and Sophia, featured here, wrote together with such generosity that comes through in their piece of contemplation and insight. Enjoy.

—traci kato-kiriyama

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Rino Kodama is a 3rd-year student majoring in Art ...

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