Nancy Matsumoto

Nancy Matsumoto is a freelance writer and editor specializing in the areas of sustainable agriculture, food, arts, culture and health. She has been a contributor to The Wall Street Journal, Time, People, Civil Eats, NPR’s The Salt, TheAtlantic.com and the online Densho Encyclopedia of the Japanese American Incarceration, among other publications. She is also the co-author of the book The Parent's Guide to Eating Disorders: Supporting Self-Esteem, Healthy Eating & Positive Body Image at Home.

Twitter/Instagram: @nancymatsumoto

Updated June 2017

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Partying Like a Nikkei Widow or Widower - Part 2

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As musical director Harry Inao cued up a recording of Dave Brubeck’s “Take Five” (“Background music provided by NWG**” as the program described it) the noise level in the room rose and our main courses of baked Atlantic salmon with hollandaise sauce and prime rib were placed before us. Itamura, who ordered the salmon, remarked, “I could use some shoyu with this, and some oroshi.”

The discussion turned to the two Obon Festivals going on that weekend. One of our tablemates told us that while Zenshuji had “better and more interesting” food, the bingo games at ...

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Documenting Manzanar - Part 8 of 18 (Ansel Adams)

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Adams, Paul Strand, and the Nisei Point of View

Hammond also defended Adams’s style against critics who found his photographs lacking in pathos or without political context. Karin Becker Ohrn, for example, in 1977 favorably contrasted Lange’s photos of concentration camp prisoners, who appeared “less controlled even slightly uncomfortable,” to Adams’s, which she deemed more “formulaic.” Hammond found a rationale for Adams’s close-up portraits, many of which are shot outdoors or against the open sky or a non-descript background:

Most forms of social documentary drew public attention by portraying their human subjects in ...

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Partying Like a Nikkei Widow or Widower - Part 1

On a hot sunny recent Saturday, The Nikkei Widowed Group of Los Angeles held its thirty-second annual installation luncheon. About 120 smartly dressed Nisei members, both widows and widowers, filled the VIP room of the Quiet Cannon Restaurant in Montebello, California for an annual ritual that takes hours of planning and countless board and committee meetings.

The planning showed; the event unfurled with military precision. From 11 to 11:50 a.m., members—most in their 70s and 80s—and guests checked in at the registration table and obtained name tags, just as the program said it would. When my ...

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Documenting Manzanar - Part 7 of 18 (Ansel Adams)

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Born Free and Equal: Differing Interpretations

In the late 1970s three graduate students in the UCLA Fine Arts Program created an exhibition and book called “Two Views of Manzanar,” which included photographs by Adams and Miyatake. Graham Howe, who along with Patrick Nagatani and Scott Rankin, opened the show at UCLA’s Frederick S. Wight Gallery in October 1977, praised Adams’s work at Manzanar in an interview as “his most compassionate body of work.”

Not everyone viewed Adams in such a heroic light, though. The same year that the “Two Views of Manzanar” exhibit was mounted ...

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Documenting Manzanar - Part 6 of 18 (Ansel Adams)

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Ansel Adams: Gifted Pianist Turned Master Photographer

By the time he arrived at Manzanar in October 1943 for the first of four working visits, Adams was a successful and famous photographer. He had helped launch the short-lived but important organization of West Coast photographers Group f/64, had exhibited in New York, had published a book (Making a Photograph), and had befriended a gallery of visionary artists, curators and writers, including Paul Strand, Alfred Stieglitz, Georgia O’Keefe, Edward Weston and curators and writers Beaumont and Nancy Newhall. He was hardly a political activist, although Adams scholar ...

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