Chris Komai

Chris Komai es un escritor independiente y especialista en relaciones comunitarias, quien ha estado involucrado en Little Tokyo durante cuatro décadas. Fue Oficial de Información Pública del Museo Nacional Japonés Americano por más de 21 años, donde manejó la publicidad para los eventos especiales, exhibiciones y programas públicos de la organización. Antes de eso, Komai trabajó para el diario japonés-estadounidense The Rafu Shimpo durante 18 años como escritor deportivo, editor deportivo y editor en idioma inglés. Además, Komai es miembro de la Junta del Consejo Comunitario de Little Tokyo y de la Junta de la Asociación de Seguridad Pública de Little Tokyo. Ha sido miembro de la Junta Sindical de Atletismo Nisei del Sur de California para las ligas de básquet y béisbol durante 30 años. Obtuvo el grado de bachiller en idioma inglés de la Universidad de California en Riverside.

Última actualización en abril de 2014

identity en ja es pt

¿Quién es más japonés?

Una marcada característica que distingue a la cultura japonesa es su esfuerzo constante por nombrar y definir todo. Los japoneses tienen una predilección por etiquetar las ideas, los tipos de comida, las ocasiones especiales, las ceremonias religiosas, los cambios de estación y, prácticamente, todos los aspectos de sus vidas. Así que no es de extrañar que los japoneses y los japoneses-estadounidenses tengan nombres específicos para las generaciones de personas que vinieron a los Estados Unidos y sus descendientes: issei, nisei, sansei, yonsei, gosei, etc. Había un orden con estas etiquetas, puesto que la ...

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war en

Coming Home to Heart Mountain: A Sansei Daughter Uncovers Her Family History to Fulfill Her Mother's Hidden Dream

When I attended college at UC Riverside closing in on five decades ago, I took a sociology class on Japanese Americans and World War II. Like many Sansei, I knew very little about my family’s experiences during the war, but I was stunned at the enormity of the events that swept up our Japanese American community. After being rebuffed by my mother to share her memories of camp, I went to the college library and was dismayed to find how little scholarship existed on the forced removal and mass incarceration of 120,000 Americans of Japanese ancestry almost 30 ...

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sports en

Crónicas Nikkei #9—Más Que un Juego: Deportes Nikkei

Exceeding All Expectations

Keston Hiura has made a habit of breaking barriers and smashing stereotypes on his way to major league success.

Most sports fans understand that the challenges for any young man or woman to achieve a career in professional sports are numerous and often unforgiving. But some of the toughest hurdles are the perceptions or misperceptions that certain scouts may hold involving a prospect’s size, character, background or even ethnicity.

Keston Hiura heard that he had a perceived weakness that had nothing to do with his baseball abilities, but instead focused on his overall priorities: the fact that he intended ...

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culture en

Howard Kakudo: Disney Animator Shared His Talents While Imprisoned at Poston Camp

In seeking to preserve and share the Japanese American experience, the Japanese American National Museum maintains the largest collection of its kind in the world. While clearly a serious and scholarly endeavor, the collection also contains items that touch on popular culture and (dare we say) are fun.

The holiday card created by Howard Kakudo while at the World War II Poston concentration camp in Arizona, is such an item. Kakudo worked in animation for Walt Disney Productions before the war on such iconic projects as Snow White and the Seven Dwarfs (1937) and Pinocchio (1940). His camp drawing depicting ...

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sports en

The Japanese American Basketball Connection - Part 2

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The establishment in 1947 of a Southern California NAU to oversee a basketball league was a very humble beginning. There were just two divisions: AA and A. Gymnasiums were difficult to obtain. Referees were just as scarce. Often, players from other teams in the league were recruited to officiate. Because job opportunities were so limited, money was in short supply. Honda recalled that most players and teams paid their league fees on a “pay as you go” system at a dollar a week. Team entry fees were $15, and the NAU membership was $1 per player. The ...

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