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Nikkei Uncovered: a poetry column

Moonlight

We have the immense pleasure of presenting several haiku from Boshichō Okamura for November. Ever since his grandson, Michael Okamura (of the Little Tokyo Historical Society), began sharing his haiku with me, I've dreamed of recreating a haiku club in Little Tokyo in homage to the Agosto-Sha poetry club that Boshichō co-founded in the early 1920s. No matter what time of year or moment of strife we are going through in the world, there's a wonderful light and solace I find through these poems. It is a great honor to share several haiku (alongside some great photographs) in this month's column. Enjoy!

 — traci kato-kiriyama

* * * * *

Boshichō Okamura (real name: Toshiyuki Okamura) was born in 1894 in Tottori Prefecture, Japan. He arrived in America in 1916 at age 22 as an agriculture student and immediately started working on farms in California. Soon after he made it to Los Angeles and became enamored with Nihonmachi (Little Tokyo). He lived near Los Angeles County General Hospital and found jobs in Little Tokyo: Pacific Printing Company, Asahi Newspaper, and Toyo Printing Company. Toshiyuki possessed a creative side and was actively involved with haiku poetry, calligraphy, and photography with his many Issei bachelor compatriots. He went by his pen name, Boshichō (眸子鳥). Toshiyuki was involved with the Tottori Prefectural Association, co-founded Agosto-Sha poetry club, and active with the Shakudo-Sha artists club. His poetry was published in local Japanese magazines and newspapers in the 1920s-1930s.

He would send letters to his family in Japan telling them about his life in America, but he never again returned to his homeland. He and his wife, Chiharu, are laid to rest at Evergreen Cemetery in the Boyle Heights neighborhood, a few miles east of Little Tokyo.

 

Turning on the bedside lamp
I found a blossom dropped by the pillow,
On which I am dropping tears feeling hopeless.


A pomegranate which is ripened beautifully
Is talking with the soul
Being scattered on the ground


To let my mother know
That the countless stars are shining in the sky of America,
I am writing a letter


Listening to the singing insects,
My wife and I talked
About the old Meiji era

Chiharu and Toshiyuki, c. 1920s.

Toshiyuki’s wedding in 1927 at the Japanese Union Church of Los Angeles in Little Tokyo.


I am about to eat
A ripe persimmon. I am so happy
That I am ready to die


Friends have gone home one after another.
I have to spend this night,
Which is foggy, all alone

Shakudo-Sha artists club, 1936: Toshiyuki is in the bottom row, 2nd from right.


It is the moon
That has been watching for forty years
You and I, a married couple

The above is a translation of the poem which was engraved in Japanese on his headstone.

* These poetries were originally published in local Japanese magazines and newspapers in the 1920s-1930s and copyrighted by his grandson Michael Okamura.

 

© Michael Okamura

boshicho Nikkei Uncovered poetry traci kato-kiriyama

Sobre esta serie

Nikkei Uncovered: a poetry column is a space for the Nikkei community to share stories through diverse writings on culture, history, and personal experience. The column will feature a wide variety of poetic form and subject matter with themes that include history, roots, identity; history—past into the present; food as ritual, celebration, and legacy; ritual and assumptions of tradition; place, location, and community; and love.

We’ve invited author, performer, and poet traci kato-kiriyama to curate this monthly poetry column, where we will publish one to two poets on the third Thursday of each month—from senior or young writers new to poetry, to published authors from around the country. We hope to uncover a web of voices linked through myriad differences and connected experience.