Descubra a los Nikkei

https://www.discovernikkei.org/es/journal/2011/1/12/do-you-know-kung-fu/

Do You Know Kung Fu? - Part 2

>> Part 1

The summer after 4th grade, 1971, it was somehow decided that my older sister, my younger brother and I would become members of the local YMCA. We all took up swimming and judo. I really wanted to do Karate (in those days I don’t think there was any other martial art besides Judo and Karate) but those classes did not start until 8:00 pm. My grandfather dutifully walked us to and from the “Y”. I was not a bad athlete but not particularly gifted either. Kind of short and stocky, I was pretty shifty and strong but not particularly swift afoot. I had poor eyesight and eye-hand coordination but could play tackle football with the big boys. I wore “Husky” sized jeans. I took to judo like a duck to water and earned a yellow doing a rolling fall over the backs of seven kids and my orange belt for placing 2nd place at a tournament.

My Judo instructor was Jackie T., a black, plain clothes detective for the Chicago Police. He would arrive before class in a long leather trench coat, big afro, floppy hat, a .357 magnum in a shoulder holster, a colt.45 in his back belt and a .22 jet strapped to his ankle. A mix between Shaft and Superfly, he was a strict  disciplinarian. Nobody messed with Sensei Jackie! I stuck with judo longer than either of my siblings but my youthful judo career ended with the arrival of my first girlfriend.

In the late 60’s and early 70’s the world seemed to change. The Blackstone Rangers were becoming a “problem” in the neighborhood and the Black Panther Party seemed to always be in the news. The University of Chicago had more squad cars than any suburban police force. My older sister went off to college. My older brother enlisted in the army and shipped off to Viet Nam as an Airborne Ranger.

The older brother home from the Veterans Administration Hospital

In the early 1970’s a new TV series came on called Kung Fu. There had never been anything comparable since Kato on the Green Hornet. It was accompanied by what seemed to be an explosion of Kung Fu Cinema including  Five Fingers of Death and Bruce Lee’s trio of Golden Harvest releases. All the sudden, it was cool to be Chinese! “Do you know Kung Fu?” neighborhood kids would ask, mostly inquisitively but sometimes menacingly.  “He is a distant cousin but we have never met him” Roger and I would conspire. What was I supposed to do, my big  sisters and brother were no longer around to protect me! The irony that the star, David Carridine is 0% Asian seemed to escape everyone.

But still, in public high school it was painfully obvious that people were more color conscious. Part of the segregation was based on cliques, the Rock musicians, the disco dancers, the Chorus singers, but the white  kids pretty much separate from the black kids. Besides the crossover from the members of the Chess and Math clubs I somehow had the unique ability to “blend in”. Besides the kicker Todd (who of course kicked soccer style) I was the only non-black at the football team summer training. I was not the best swimmer but my senior year I was voted captain of the swimming team by an integrated but predominantly white team, I was not white--not black. It was cool.  I could play both sides. My junior year I dated a Black Senior who was a Pom-Pom Girl.  But I still spent most of my   time with Roger and Jerry and a couple of other hang-out buddies.

When I got to college I decided to go back to Judo. I returned to Sensei Jackie T. at the YMCA. He welcomed me back warmly and put me through rigorous training. I remembered how to fall and quickly advanced to green belt winning some local tournaments. Soon after, the Hyde Park YMCA would close its doors. I bounced around the University of Chicago Judo Club and Hwa Rang Do, a mixed martial arts dojo near the University but neither was a competitive dojo. Through a mutual friend I came to meet Dean M. who I had seen compete at local Shiai but was ranked higher than me and thus had never fought. I was invited to a workout at MBC Judo Academy where Dean, Doug M., Doug T., Kevin C, Steve T. and Sensei Yoshinaga warmly welcomed me with the thrashing of a life time.  One of my most vivid adult memories is afterward sitting in the dank, unfinished basement locker room, exhausted and struggling to peel off my soaked judo gi, watching the sweat vaporize and rise off my body. Finally-I had found my new dojo!

The youngest member of the blackbelt team 1982

Largely through judo and the friendships formed at the dojo on the north side, I became introduced to the larger Japanese American community in Chicago. One night, Dean and I went by the Marigold Bowling Alley. It was “League night”. I had never seen so many Japanese Americans in one place at one time! Gradually, through Ginza, Kagami Biraki, and other festivals at various Buddhist Temples and other social outlets I came to experience and appreciate what is a vibrant and substantial culture within the Chicago community. It seems to me that the JA community in Chicago evolved out of the camp experience, and is driven by a traditional sense of ethics and distinct set of neurosis. Like the African American, Korean, Mexican or other communities, it has its own unique lexicon of idioms and expressions that persons outside the community would not understand.

I have been involved in Judo for about 35 years and have been promoted to Fifth Degree Black Belt (Godan). I cannot imagine my life without judo. It has been the source of many of my closest friends, I have met my accountant and my attorney through judo, I have been employed twice by judo associates, many of my most trusted confidants and mentors are from judo, my children’s godparents are from judo. It really has been a wellspring that has enriched my existence. It also provides me with life balance and a sense of accomplishment.
 
Summing it up what does it mean? I feel that my understanding of what is good and bad, right and wrong largely stems from my early childhood. My sense of what is interesting and boring, humorous and distasteful, beautiful and ugly, has been influenced by the persons and cultural experiences I have been exposed to. My persona has been shaped by more than my immediate environment in so far as my environment is itself an amalgamation of various cultures. Ethnically, I am a mixture of Japanese, Scottish, Cherokee and Blackfoot Indian, African American and French bloodlines. But that does not define who or what I am. It is my actions (or lack of), my accomplishments (and failures) and the meaningful contributions that I make to society that largely define who I am. That potential is largely determined by my family upbringing, by my friends and associates, by my craft and profession, by my environment in total. As I mentioned, I am the only male in the family who has not served in the military-I am also the only Godan. Except for a distant Uncle Shig on the Imoto side!

*This article was originally published in Voices of Chicago, online journal of the Chicago Japanese American Historical Society.

© 2010 Chicago Japanese American Historical Society

artes marciales Chicago combate Estados Unidos familias hapa Illinois judo personas de raza mixta
Sobre esta serie

Los artículos de esta serie fueron publicados inicialmente en Voces de Chicago (Voices of Chicago), el periódico en línea del Chicago Japanese American Historical Society (Sociedad Histórica Japonesa Americana de Chicago), la cual ha sido una Organización Participante de Discover Nikkei desde diciembre de 2004.

Voices of Chicago es una colección de narraciones en primera persona sobre las experiencias de las personas de ascendencia japonesa que viven en Chicago. La comunidad está compuesta por tres oleadas de inmigración, y los descendientes: La primera, alrededor de 300 personas vinieron a Chicago por la época de la Exposición Universal de Chicago en 1899. La segunda, y el más grande grupo, desciende de los 30,000 que vinieron a Chicago directamente de los campos de internamiento después de la Segunda Guerra Mundial. Denominados los “recolonizadores”, ellos crearon una comunidad construida alrededor de las organizaciones de servicio social, iglesias budista y cristiana y pequeños negocios. El tercer, y más reciente grupo, son japoneses que vinieron a Chicago, a partir de los ochenta, como artistas y estudiantes y se instalaron. Un cuarto grupo de no inmigrantes son ejecutivos de negocios japoneses y sus familias, quienes viven en Chicago durante largos periodos, a veces de manera permanente.

Chicago siempre ha sido un lugar en donde la gente puede recrearse a sí misma, y en donde diversas comunidades étnicas viven y trabajan juntas. Voices of Chicago cuenta las historias de los miembros de cada uno de estos cuatro grupos y de cómo encajan en el mosaico de una gran ciudad.

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Larry Wiley es un hapa Sansei nacido y criado en el lado sur de Chicago. Practicante de judo desde hace mucho tiempo, ayudó a fundar el Judo Dojo más grande al este del río Mississippi y ganó siete medallas nacionales en las competencias de máster "más de 30", incluidas tres medallas de oro. Trabajando en la industria de la construcción durante los últimos 25 años, ha recibido varios elogios por numerosos proyectos, incluido el de "Mejor construcción nueva de menos de $10 millones en 2006" otorgado por el Congreso de Construcción de Chicago para una nueva escuela Montessori. Actualmente, Larry gestiona una renovación histórica de 18 meses del Centro Federal diseñado por Ludwig Mies van der Rohe en el centro de Chicago. Divorciado, padre de tres hijos, ha vivido en el lado norte de la ciudad desde 1985, un fanático de los White Sox a la deriva en un mar de manía por los Cachorros.

Actualizado en diciembre de 2010

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