Arthur A. Hansen

Art Hansen is Professor Emeritus of History and Asian American Studies at California State University, Fullerton, where he retired in 2008 as the director of the Center for Oral and Public History.  Between 2001 and 2005, he served as Senior Historian at the Japanese American National Museum.

Updated October 2009

migration en

Unearthing one family's history

The volume under review, the most recent of many documentary books by award-winning veteran independent researcher, writer, and producer Tom Coffman, characteristically incorporates historical themes pertaining to Hawai‘i. What makes “Tadaima! I Am Home” different, however, is that its focus is upon a Hawai‘i Nikkei family history as viewed from a multigenerational, transnational perspective.

Within its short compass, readers are provided with a fascinating five-generation exploration by Coffman of male Miwa family members extending from its fallen samurai progenitor in Meiji Era Japan, Marujiro Miwa (1850-1919), down through four sons of successive generations — all of whom are bound ...

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culture en

The truth behind religious freedom in Japan

Although only an assistant professor of religious studies at the University of Pennsylvania, Jolyon Baraka Thomas has already published one remarkable book, Drawing on Tradition: Manga, Anime, and Religion in Contemporary Japan (University of Hawai‘i Press), and is presently working on a third book with the tentative title of “Difficult Subjects: Debating Religion and Public Education in Japan and the United States.” As for the volume under review here, Thomas’ second book, it is a brilliantly conceived, deeply researched, tightly argued, and elegantly composed comparative and transnational inquiry into the concept and practice of religious freedom, with particular emphasis ...

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culture en

The Causes and Consequences of a Government ‘Scheme’

Some readers may well wonder why this book by seasoned Latin American journalist Mary Jo McConahay is being reviewed here for their consumption, consideration, and contemplation. After all, its focus, as the volume’s title intimates, is the World War II shadow war for the Western Hemisphere pitting the Axis against the Allies for popular support, military advantage, and natural resources, one in which each side, “closely shadowed the steps of the other, like dancers in a tango” (pp. xii).

While The Tango War certainly fills a gap in the history of World War II, is painstakingly researched and documented ...

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war en

Rediscovering Honouliuli and preserving former camp sites

Having previously read with enjoyment and edification a trio of books published by the Japanese Cultural Center of Hawai‘i — Life behind Barbed Wire: The World War II Internment Memoirs of a Hawaii Issei (2008), Family Torn Apart: The Internment Story of the Otokichi Muin Ozaki Family (2012) and Haisho Tenten: An Internment Odyssey (2017) — I was overjoyed by the prospect of scrutinizing still another sterling JCCH volume.

Although not as ambitious in analytical penetration, topical and thematic context, and historical detail as the above noted three works, this slender primer is both more comprehensive in coverage and richer in ...

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culture en

Deconstructing intersections of Asian America

Up until 2004, I was a mere (and rather unreflective) spectator to taiko drumming. However, that year I fortuitously became involved as an oral historian in a Japanese American National Museum-sponsored project that culminated in a 2005-2006 exhibition at JANM titled Big Drum: Taiko in the U.S. Curated by Sojin Kim, it featured a new documentary DVD of the same name that included parts of the exhibition media installations as well performances by various taiko groups and videotaped interviews with key taiko leaders and practitioners.

The exhibition’s July 13, 2005, opening, according to a June 2006 Masumi Izumi ...

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