Discover Nikkei

https://www.discovernikkei.org/en/journal/2018/03/19/

Immobile

Walking through the center of Liberdade, I noticed that a real estate agency on Rua Galvão Bueno had my surname on its facade: Okada.

I didn't think twice about going in and getting some of his business cards in case I needed proof for anyone who didn't believe me when I jokingly told him that I was now in the real estate business.

But one of the brokers, Ms. Clara, also caught my attention. It's just that she was very similar – if not the same – to one of my aunts (short stature, smile with very narrow eyes, big and beautiful teeth).

I ended up telling him that I was looking for an apartment like this, like this, just so we could talk a little. Because, in my madness, I still wanted to confirm whether or not she was my aunt – she wasn't.

By leafing through two or three thick folders, she found an apartment on Rua Tamandaré – in fact, a studio apartment – ​​which, as she told me, was perfect for me. At that point, I had to accept his invitation to meet him.

When we were about to leave, Ms. Clara stopped. And he told me there was a small problem. Because of the schedule, she would have to go and pick up her grandson, her son's son, who was studying at a small Japanese school, right there, close to the apartment.

"OK everything is fine!" – I said, without understanding his face, suddenly worried.

On the way, she gave me all the information I needed. And, while I went up to meet him, she continued straight, towards the school.

Dona Clara was absolutely right. The place was perfect for me: small, but not too small; reasonable rent and condominium fees; close to interesting places in the city – old center and Avenida Paulista. And, most importantly, a great opportunity to get out of the tiny room that, at the time, I was renting in Bela Vista. I was anxious to close the deal.

Half an hour later, I had to give up waiting for her. I had some commitments. Then I would call the real estate agency the next day. Do what?

I left the key at the entrance and, upon leaving the building, I realized that, in fact, Mrs. Clara was right there, half a block away.

Maybe I hadn't recognized her before, because, in addition to having her back turned to me, she, due to her posture, was dragging something very heavy. And, my, that very heavy something was a boy, a boy: his grandson.

Sitting on the sidewalk, with his little legs stretched out, all he did was complain.

And Mrs. Clara, using a lot of force, pulled him by his backpack and arms, trying to get him to his feet. Sometimes, she even succeeded; but, one turn and another, he always sat down again.

Until, after several attempts, she picked up the small backpack – with a SpongeBob print – and placed it on her back. At first I thought she was going to leave it there!

But that was when she, in her last resort, lifted him and held him like a bag of rice: with just one arm, the hand resting on his waist – like the handle of a mug – and the boy stuck in the middle – who , screaming, moving his legs frantically, as if he were swimming.

Finally, upon arriving at the building, Mrs. Clara placed him back on the ground. And, pointing to him – who was now playing with a tiny insect he had just found – he apologized profusely for the inconvenience. I was quick to tell him that there was no problem. We made a deal and I left.

I don't know... I felt really sorry for her. It's just that, when we said goodbye, she seemed so nervous... so upset... so... so... Crying face, you know?

Maybe, at that moment, I should have helped you with the boy. Or, at least, told him something like:

“Dona Clara... Hey, Dona Clara... Don't be like that... Even though it was so difficult for you to bring your grandson along the half-block route, you didn't need more than a suggestion so that you could convince me to move from a place that is more than three kilometers away, Ms. Clara... Hey, Ms. Clara... You are the best, you know?”

© 2018 Hudson Okada

Brazil Japantowns Liberdade São Paulo
About the Author

Udê, a.k.a. Hudson Okada, was born in the city of Matão, São Paulo, on Aug. 2, 1979. Since 2005, he lives in the city of São Paulo’s Liberdade district. He is part of the Jornal Nippak team of collaborators. As a writer, he has won several literary contests – including an honorable second place in Brazil’s Sesc-DF Prize for Literature, in the short stories category.

Updated July 2016

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