Discover Nikkei

https://www.discovernikkei.org/en/interviews/clips/1660/

On the process of making her leaf bowls

Signe had put us onto this fellow by the name of Booker Morey who actually processed bigleaf maples. He took away the solid, the chlorophyll part, and so all you had were the veins of leaves. They’re very beautiful… he gave me some, and then I started buying them from him. That's how the leaf bowls came about…

I soaked the leaves for about half a day until the veins became very pliable. Then I would be able to work with them. Prior to that… I would cut a leaf form. I usually used a pair. The paper leaves would go on the bowl first, and I worked upside down this way. Then after that dried and I was able to get them off the mold, I would soak the actual leaves in the water for at least half a day. Then when they were really pliable, they got paste on them, and applied onto the paper bowl, the paper leaves.


artists arts bowls (art) leaves

Date: November 23, 2018

Location: California, US

Interviewer: Patricia Wakida

Contributed by: A Co-Production of the Watase Media Arts Center, Japanese American National Museum and KCET

Interviewee Bio

Kay Sekimachi, born in 1926 in San Francisco, is an American fiber artist best known for her masterful, three-dimensional woven monofilament hangings as well as her intricate baskets and bowls. Born in San Francisco on September 30, 1926, Sekimachi was interned with her family at Tanforan Assembly Center in California and then the Topaz concentraton camp in Utah from 1942 to 1944. (June 2018)

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